Search Details

Word: rivera (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...zillions of requests for baby bulls, describes the fantastic things the boy does to save the life of his pet. Nevertheless, the moviemakers have seen to it that the picture comes to a bloody climax in one of the most thrillingly realistic bullfights -starring the famous Mexican matador, Fermin Rivera-ever seen in a commercial film. It's great stuff for the youngsters, but apt to be rough on people of more tender years...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 18, 1957 | 3/18/1957 | See Source »

Conversation Wing-Ding. Of all things, Mr. De perhaps loved best a good wingding of a conversation; in one evening's discussion he dwelt perceptively on Diego Rivera, the habits of alligators, Dickens, the Oklahoma legislature, fine printing, Arabian oil, academic freedom, the winter treatment for banana trees in Dallas patios. And what he most abhorred, in his vain way, was weakness-especially weakness of the intellect. Aging, the sight of one eye totally gone, he began to suffer the blood-draining anguish of aplastic anemia. He feared that somehow his mind soon would be affected, found the thought...

Author: /time Magazine | Title: TEXAS: Mr. De | 12/24/1956 | See Source »

...world in on the inspiration he experienced during his ten-month sojourn in the Soviet and satellites last year, Mexican Muralist Diego Rivera last week turned his own plush Mexico City gallery over to a show of his latest works: 150 oils, watercolors and drawings, all of people and places behind the Iron Curtain...

Author: /time Magazine | Title: Art: Rivera Rides Again | 12/3/1956 | See Source »

...critics who had begun to fear that Rivera was now painting more out of habit than conviction, there were some reassuring touches. His Little Soviet Girl (see cut), a flaxen-haired, blue-eyed Muscovite, clutching her school case in the cold, was a real charmer. The two major oils in the show, People's Testimony and Defile, painted from the window of Rivera's room in Moscow's National Hotel and both depicting scenes in Red Square, caught the bleakness of Moscow's winter and the immensity of the square with some of his old dash...

Author: /time Magazine | Title: Art: Rivera Rides Again | 12/3/1956 | See Source »

...trying to emulate heavy-handed Soviet official art, Communist (and Unreconstructed Stalinist) Rivera too often turned out work that, in years gone by, he could have painted with his toes. His versions of Polish bricklayers rebuilding Warsaw and of collective brigades clearing ice from a waterfront in Czechoslovakia are drab and hackneyed. Like his politics. much of his new work bears the overwhelming burden of the Communist line...

Author: /time Magazine | Title: Art: Rivera Rides Again | 12/3/1956 | See Source »

Previous | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | Next