Search Details

Word: riveras (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...Miami Vice antics of Rivera's show highlighted concerns about the increasingly common practice of letting TV crews tag along on drug raids. A search warrant, says Judge Shipley, does not give police "permission to put the whole nation into somebody's house with TV cameras." Some police officials object that the cameras, lights and onlookers can jeopardize safety. Nor is TV merely an eavesdropper. During one raid on Rivera's show, an officer could plainly be heard to make a telling, and disturbing, inquiry: "We are still live...

Author: /time Magazine | Title: Press: Live on the Vice Beat | 12/22/1986 | See Source »

...Brancusi. But it took a personal and artistic crisis in 1923 to push him beyond ingenious deployments of volume and line. He took off for Mexico with his lover Tina Modotti and one of his sons. He spent the next three years rubbing shoulders with the muralist Diego Rivera, dodging the postrevolutionary turmoil and making pictures under the Mexican sun that specifies every object it falls upon. Among them were a series of vivid head shots, like his startling portrait of Manuel Hernandez Galvan, 1924, that use the subjects' plain vitality to confound the impassivity one expects from monumental figures...

Author: /time Magazine | Title: Photography: Peppers From Heaven | 11/24/1986 | See Source »

Shawn A. MacDonald '88 will take over leadership of the organization from outgoing president Victoria Rivera '88 in January. He ran against Elisa Fernandez '88 and Tse Ming Yang...

Author: By Julie E. Gibbons, | Title: PBH Elects New Officers | 11/17/1986 | See Source »

Under the Cherry Moon is about two American gigolos (Prince and Jerome Benton) who work in a cafe on the French Rivera and supplement their salaries by romancing the rich and lonely and their pocketbooks...

Author: By Christopher J. Farley, | Title: A Sweet Cherry Moon | 7/11/1986 | See Source »

Perhaps it is time to amend the familiar high-modernist view of Rivera as a gifted painter deformed by the needs of propaganda. Sometimes his work was too openly didactic and coarse grained, too attached to populist stereotypes of love, comradeship, struggle and work. It offended the etiquette of alienation. Too bad--he was still an extraordinary painter, a lighthouse of vitality. Nobody could say Rivera kept a steady political line, but at least he was no ideologue; his socialism was instinctive and antitotalitarian, like Picasso's, but much deeper. Rivera gave Leon Trotsky asylum from Stalinist assassins (including...

Author: /time Magazine | Title: Art: The Tintoretto of the Peons | 6/9/1986 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | Next