Word: rko
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...shade, she set out to try to justify for Warners the glamorous canard that she was "a schoolgirl Constance Bennett." It was not until Cabin in the Cotton (TIME, Oct. 10, 1932), with Richard Barthelmess, that she got a chance to develop her stripe of cinemeanness. Two years later RKO borrowed her for the role of hateful, shrewish, supremely selfish Mildred in W. Somerset Maugham's Of Human Bondage (TIME, July 9, 1934). Said Bette when she saw the film for the first time: "I didn't believe I could act so-so nastily...
...Westport resident is Patrick A. Powers, an enterprising Irishman, onetime backer of Walt Disney, organizer of Universal Film Co., later of Film Booking Office of America (forerunner of RKO) who sold out his Hollywood interests several years ago, purchased a 200-acre estate in Westport, where he built the Longshore Country Club. Sociable, civic-minded Powers spends his winters in a marble-floored palace at Spuyten Duyvil on the Hudson River, wears green suits and still sports an Irish accent. Last week he promised Westporters a great gift: he would build a $100,000 "marine stadium" at Westport, lease...
...Hollywood craftsman. At unwieldy Metro-Goldwyn-Mayer, which has been at sixes & sevens since the death year-and-a-half ago of its one indisputable producer-genius, Irving G. Thalberg, more than 1,000 of the 3,000 studio employes had been dropped from the payroll. At RKO Radio the pruning halted at 250. In the United Artists group, only Producer Walter Wanger was working at top speed. Samuel Goldwyn was temporarily inactive, his corps of laborers laid off; Selznick International, geared to leisurely production, had a skeleton staff, the publicity department alone working at full blast. Other studios, already...
Hawaii Calls (RKO Radio) is a vain effort to make 10-year-old Bobby Breen swap his mammy-singing mannerisms for the more suitable antics of a lifelike small boy. Its story outfits him with rags & tatters, a shoeshine box and a stowaway's berth to Honolulu. But whether Bobby sings wistful or swingy songs in his reedy, choirboy voice, he goes at them with expert, unchildlike, vaudeville-stage punctilio...
While it lasts, Bobby's soprano voice is the principal asset of Sol Lesser's Principal production unit at RKO. What worries Producer Lesser is that Bobby's voice will not be soprano long. In consequence he frequently records Bobby's songs far in advance of production, so that no Lesser picture, once started, will have to be scrapped should Bobby turn baritone overnight. In Hawaii Calls Bobby's voice holds up; it is the picture that takes the queer turns...