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...Allied captors at Nürnberg, the Field Marshal seemed to be the essence of all that was evil in Junkerdom. Tall and taciturn, a monocle screwed tight in one chilly pale eye, his boots gleaming with metronomic precision as he paced the stone floor of his cell, the prisoner never complained and never begged for mercy. When the gallows trap was sprung on Oct. 16, 1946, and Wilhelm Bodewin Johann Gustav Keitel dropped to his death, it is doubtful that he had any regrets. Keitel had long before reached the end of his rope...

Author: /time Magazine | Title: Books: Hitler's Drudge | 2/25/1966 | See Source »

Keitel's memoirs, written at Nürnberg during his trial and completed just before his execution, reveal a mind that was both humorless and unimaginative; he did, however, have a vast capacity for administrative drudgery-and all were qualities that Hitler recognized as essentials in a subordinate if his own plans were to work. Keitel not only carried out the Führer's orders with diligence, but did not even permit himself-much less his own subordinates-to question their morality. The infamous Nacht und Nebel order of 1941, under which Resistance suspects from France...

Author: /time Magazine | Title: Books: Hitler's Drudge | 2/25/1966 | See Source »

...Shortcomings. Keitel considered it himself but decided against it. "The armed forces," he wrote in his Nürnberg cell, "would have labeled me a deserter and a coward. Hitler himself chose death rather than accept responsibility. For him to have committed suicide when he knew he was defeated . . . for him to have left it to a subordinate to account for his auto cratic and arbitrary actions, these two shortcomings will remain forever incomprehensible to me. They are my final disillusion...

Author: /time Magazine | Title: Books: Hitler's Drudge | 2/25/1966 | See Source »

...rnberg, Germany...

Author: /time Magazine | Title: Letters: Dec. 24, 1965 | 12/24/1965 | See Source »

WAGNER: DIE MEISTERSINGER VON NüRNBERG (RCA Victor; 5 LPs). There is no single coruscating star unless it is Conductor Joseph Keilberth, who makes the long score snap with life rarely caught even when recorded, as this was, during a performance (the opening of the rebuilt National Theater in Munich). Basses Otto Wiener and Hans Hotter give their well-established interpretations as Hans Sachs and Veit Pogner, but the freshest voices belong to two Americans, Soprano Claire Watson as Eva and Tenor Jess Thomas as Walther...

Author: /time Magazine | Title: Television: Apr. 9, 1965 | 4/9/1965 | See Source »

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