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...only in more recent years that those divisions have come under fire and begun to blur. In France, for example, the former Musée d’Éthnographie du Trocadéro founded in 1878 underwent various iterations before giving way in 2006 to the Musée du Quai Branly, whose controversial name alone indicates a refusal to identify itself as an anthropology or ethnography museum. The collections of the Quai Branly museum are beautifully displayed and treated as aesthetic objects rather than as historic artifacts that serve as lenses into the culture. Like a Greek...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Artifacts Take Their Rightful Place as Art | 3/30/2010 | See Source »

...vigilante groups, while Cairo's black population waged a three-year boycott of businesses that refused to integrate. What's left, after decades of white flight and economic stagnation, is an expanse of abandoned buildings, bulldozed lots and forgotten history. Around 3,000 people live in Cairo (pronounced Kay-ro), a third of them below the poverty line. "I describe this town in three words," says Preston Ewing Jr., Cairo's unofficial historian and former president of the local NAACP chapter: "poor, black and ugly." (See the best pictures...

Author: /time Magazine | Title: Trying to Revitalize a Dying Small Town | 2/15/2010 | See Source »

There's a lot to love about "Cause and Effect." The fetching but elusive Ensign Ro Laren is in it. Generous amounts of drive plasma are vented from the starboard warp nacelle - always good. The writers actually give Dr. Crusher something useful to do for a change, and Kelsey Grammer makes an awesome, beyond-random cameo as the captain of the other ship. Plus, the whole conceit is brilliant. It's like one of Philip K. Dick's epistemological passion plays: we watch the same scenes four times, almost word for word, and they mean something slightly different each time...

Author: /time Magazine | Title: Star Trek: Back to the Final Frontier | 4/23/2009 | See Source »

...song or play a video, that content is "copied" from a server somewhere to the hard drive in your computer. The same is not true when you crack open a book: "For most of American history it was extraordinarily rare for ordinary citizens to trigger copyright law ... RO culture in the digital age is thus open to control in a way that was never possible in the analog age ... For the first time, [copyright law] reaches beyond the professional to control the amateur." And when it comes to prosecuting copyright infringement, Lessig doesn't spare members of his profession...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

...very best of what these new technologies make possible. If the war simply ended tomorrow, what forms of creativity could we expect? What good could we realize, and encourage, and learn from?" That doesn't mean, however, that the original composer should not be protected: "Neither RW (Read/Write) nor RO (Read Only) culture can truly flourish without copyright." But he also recognizes that not all cultural goods are created equal. Just as apples shouldn't be compared to oranges, software code shouldn't be likened to movies or music to scientific articles. Each, he argues, will require...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

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