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...fractured vision of “The Road?? succeeds in that the audience’s attention is directed away from the road narrative and towards the big ideas that constitute the film’s core. But viewers who haven’t read the source material may be left somewhat bewildered by the vaguely serialized, disjointed final product. McCarthy’s book, as spare and angular as it was, remained a cohesive, plot-driven whole. Hillcoat’s film seeks to distill the novel’s essence, and in the process loses some...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

...Road?? is the story of a nameless father (Mortensen) and son (Kodi Smit-McPhee) traveling across the devastated remains of an American continent that has experienced a disaster—of unknown origin—that wiped out the vast majority of the population. Endlessly searching for food and hunted by bands of cannibals, the two make their way toward the coast, where the father believes they may find safety and other “good” people...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

...bleak beauty may distract momentarily, it doesn’t take long to realize that it doesn’t seem to be going anywhere. But Hillcoat has created a road narrative without the ever-present forward motion that usually defines it. Instead, “The Road?? is composed of fleeting moments, vignettes that slowly coalesce into a fuller picture of the characters and their experiences. Father and son run from bandits, enjoy an unopened, still-carbonated Coca-Cola, and eat canned fruit with an elderly fellow traveler, all the while theoretically moving toward the coast...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

...Hidden” recalls a certain scene: after 45 minutes of seemingly plotless meandering, a single moment of suicidal violence shocks the audience out of their fugue and puts them on the edge of their seats for the remainder of the film. “The Road?? employs a similar effect; following a span of wandering, father and son come upon a disconcertingly civilized-looking house, which they are drawn to investigate. Readers of the book know exactly what's coming, which only makes it worse. Another memorable scene features Michael K. Williams, best known as Omar from...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

...scenes sparkle on their own, but together the vignettes create an effective conduit for the film’s major themes. Though the cause of civilization’s end remains unknown, there is some implication that it is manmade. Be it nuclear or environmental, “The Road?? forces us to contemplate our end, brought about by our own hands. And it demands, ever so subtly, that we reassess our priorities and protect our planet from ourselves...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

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