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...Long Journey follows the daily life of one Gustad Noble, a decent, good-natured Zoroastrian living in Bombay during the early 1970s. At home, he is caught up in the feuds and conspiracies of apartment buildings everywhere. At work, he enjoys the rowdy camaraderie of his Zoroastrian friends, singing Roamin' in the Gloamin' in the bank canteen and entertaining one another with ribald tales...

Author: /time Magazine | Title: Close Quarters: SUCH A LONG JOURNEY by Rohinton Mistry | 4/8/1991 | See Source »

Most of the answers were accurate However, Virgil hasn't suited up for a game since playing for the Roamin' Legions in the early...

Author: By Bill Ginsberg, | Title: Harvard's Vagabond Cagers | 1/22/1979 | See Source »

...production of Finian's Rainbow; of cancer; in Burlingame, Calif. Broadway lit up the instant Ella sang How Are Things in Glocca Morra?, but success was a long time coming-32 years-from the day she toddled on to a Paisley, Scotland, stage to pipe Roamin' in the Gloamin' at the age of two. Besides Finian, she did Sons o' Fun and George White's Scandals, then went on to movies and TV until her semi-retirement in the 1950s...

Author: /time Magazine | Title: Milestones: May 9, 1969 | 5/9/1969 | See Source »

...rematch since Zale and Graziano. Emile Griffith, the tough ex-street fighter from the Virgin Islands, had an elaborate revenge planned for Nino Benvenuti, the Italian fishmonger's son who took away his 160-lb. title last April. For starters, he was going to reshape Nino's roamin' nose. "I'm going to hit it and hit it and hit it," vowed Griffith. "I'm going to bend it. Then I'm going to knock him out." Bene, sighed Benvenuti, quaffing his Chianti-let him try. If it was a Pier Sixer that Emile...

Author: /time Magazine | Title: Prizefighting: Promises, Promises | 10/6/1967 | See Source »

...Roamin' in the Gloamin', one of his most popular tunes, and a 1911 track by that "loud, cheerful noise," Sophie Tucker, in which she belts out Some of These Days in a voice already impressively seamed and corrugated. The piano selections by Rachmaninoff (Liszt's Second Hungarian Rhapsody, recorded in 1919) and Moriz Rosenthal (various Chopin Preludes, recorded in 1929) are less successful, chiefly because the early acoustical method of recording tended to blur the percussive piano sound. But Rachmaninoff's glittering technique is there, and so is a remarkable and ornate cadenza that is preserved...

Author: /time Magazine | Title: Music: Terrifying Invention | 7/21/1961 | See Source »

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