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...this 25th anniversary, there are still a few staffers here who can recall that frantic Sunday. The first inkling at TIME was a roar from a senior editor as he read the first A.P. wire dispatch. After the initial shock, everything went in orderly progression. Staffers who were on vacation streamed back to the office. With only 24 hours until deadline time (the magazine went to press on Monday nights then), the editors scrapped the planned cover on Walt Disney's elephant Dumbo in favor of the commander of the U.S. Pacific Fleet, Admiral Husband Kimmel. A new section...

Author: /time Magazine | Title: A Letter From The Publisher: Dec. 9, 1966 | 12/9/1966 | See Source »

...them were seated before him last week in the caucus room of the Bundeshaus in Bonn. They knew that they had been summoned to watch as Erhard's enemies tightened the pressure on him to resign. But no one knew whether the Chancellor would turn with a roar on his tormentors or go along with those who had been gently urging him to quit...

Author: /time Magazine | Title: West Germany: The Flashing Knives | 11/11/1966 | See Source »

...Monterey Jazz Festival in California last week, Composer-Saxophonist John Handy and his quartet launched into their opening number. Crash. A microphone toppled over. Handy tried to recover with a spiraling solo, but just as he built to a climax, the roar of a Boeing 727 jet drowned him out. Handy pressed on, but then the reed in his alto sax went sour, grounding the high-register flights that he plays so well. Undaunted, he introduced Blues for a High Strung Guitar-but wait, where was the guitar player? Unstrung backstage, as it happened, where he had to dash...

Author: /time Magazine | Title: Jazz: Man With a Brain | 9/30/1966 | See Source »

...Fearsome Roar. It has been many long and cheerless months since jazz buffs last heard a performer as fresh and as talented as Handy. He arrives at a time when jazz's discontented Young Turks have disdainfully turned away from their audiences and gone off to explore the way-out, or, as more often happens, the way-in of their own psyches. At 33, Handy is the most reassuring evidence yet that a middle ground persists between more or less conventional modern jazz and the avantgarde...

Author: /time Magazine | Title: Jazz: Man With a Brain | 9/30/1966 | See Source »

...degree in music education. When he first unlimbered on the jazz circuit in 1958, he was a timid conformist, but a nine-month tour with Charlie Mingus' combo changed that. Midway in a number, the burly, quick-tempered Mingus would peer fearsomely from behind his bass and roar, "Go on, go on, blow something!" Recalls Handy: "I was too scared not to play something startling...

Author: /time Magazine | Title: Jazz: Man With a Brain | 9/30/1966 | See Source »

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