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Shrewd, old-style Governor Clyde Roark Hoey (pronounced hooey) of North Carolina heard Negro Contralto Marian Anderson at a Raleigh concert, was so pleased that he invited her next morning to a private, half -hour chat in the executive offices. Reported Governor Hoey, refusing to consider his action unusual: "I talked to her some about her singing. She asked about affairs in the State...

Author: /time Magazine | Title: People, May 20, 1940 | 5/20/1940 | See Source »

...sporting pages had been ballyhooing the event. The Producers team would consist of Walter Wanger, a hard-working non-scorer; Frank Borzage of long low-goal experience; Mike Curtiz, who took "ill" at the last moment, had Oil Man Steen Fletcher sub for him; and eight-goaler Aidan Roark, Zanuck's assistant at polo and pictures. The Actors would be spirited novice Paul Kelly, Charles Farrell, Tim Holt (son of he-man Jack) and comic Guinn ("Big Boy") Williams. Over their hearts the Actors would wear the initials G. R.-for Ginger Rogers, their sponsor...

Author: /time Magazine | Title: Cinema: Middick | 4/29/1940 | See Source »

...stopped. Tim Holt, normally a two-goal player, hit nothing all afternoon. Charles Farrell raced around on Mazeppa-maned ponies. Nobody scored until the fifth period. The most frequent sounds from the grandstand were groans. Then Big Boy Williams got mad because Walter Wanger kept hooking his mallet. Aidan Roark, who hadn't played all winter, got tired of the monotony. The two dueled for the ball. In the melee, Charles Farrell romped by, whanged the ball between the posts for a goal. Next the producers scored, scored a second time when Roark with a tremendous clout sent...

Author: /time Magazine | Title: Cinema: Middick | 4/29/1940 | See Source »

...woman customer went into such hysterics she had to be led out. On hand was Producer Zanuck's assistant, Poloist Aidan Roark. But he was blacked out by the burlier presence of the picture's villain, enormously popular colored Cinemactor Maceo B. Sheffield. Also present was Producer Friedrich's Scripter Dana Burnett. The surges of surflike laughter told both scouts that the canny Parson Friedrich had scored again...

Author: /time Magazine | Title: Cinema: Dark Laughter | 4/29/1940 | See Source »

John Henry (by Roark Bradford; music by Jacques Wolfe; produced by Sam Byrd) took Paul Robeson back to Broadway after nearly eight years. The stage seemed set for a great return. The play was by the man whose stories had inspired The Green Pastures. Robeson's role was magnificently suited to him-that of huge John Henry, the legendary strong man, the Negro Paul Bunyan, of the Black River country...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jan. 22, 1940 | 1/22/1940 | See Source »

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