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...political prisoner. The immigration authorities also had a telegram sent by President Calles to the Mexican commander across the border at Nirova Laredo, directing that Torres should not be court-martialed but should be handed over to the civil authorities for trial as a highway and train robber...

Author: /time Magazine | Title: LATIN AMERICA: Mexican Justice | 2/15/1926 | See Source »

Last year: "Sergei Yessenin has just written me that he has gone into the Caucasus to become a bandit. ... He writes that he is going to be a robber for the thrills. ... He wants to write poetry about robbery, and feels that he must gain experience as a bandit...

Author: /time Magazine | Title: RUSSIA: Yessenin's Death | 1/11/1926 | See Source »

Thus did the President commute the punishment of Gerald Chapman, mail robber, so that Gerald Chapman, murderer, might be hanged by the State of Connecticut. Mr. Chapman refused the commutation and denounced it as an abuse of clemency power. His lawyers will seek in the courts to establish his right to finish his 25-year sentence in the Federal penitentiary from which he escaped. If they succeed, his hanging will have to wait...

Author: /time Magazine | Title: THE PRESIDENCY: Mr. Coolidge's Week: Dec. 7, 1925 | 12/7/1925 | See Source »

...play next follows the adventures of the Nun. She is taken from the Knight by the Robber Count, and passes in turn into the hands of the Prince and the Emperor. Whoever possesses her is dogged by death, the Emperor killing the Prince, and then himself falling prey to the revolution that breaks out against...

Author: NO WRITER ATTRIBUTED | Title: HARVARD MEN WILL TAKE PART IN "THE MIRACLE" | 10/19/1925 | See Source »

...first act of The Music Robber, an opera in jazz, with music by an American (Isaac Vangrove, onetime assistant conductor of the Chicago Opera Company) and with lyrics by an American (Richard L. Stokes, dramatic critic of the St. Louis Post-Despatch) was given a gentle premier in the St. Louis Municipal Theatre last week. Dignity was the keynote. There was no saxophone in the orchestra, nor any instrument with a belly for giggling, or a ribald larynx. Tenor Forest Lament lifted up his voice impressively. An audience of some 9,000 who had come to catcall, hump their shoulders...

Author: /time Magazine | Title: In St. Louis | 9/7/1925 | See Source »

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