Word: robbers
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...When Harold Ickes is having a good rich, wrathful week, probably every man, woman and child in the U.S. is against him. Honest, fearless, tough and shrewd--and loyal to his boss--Harold Ickes long ago earned his post as dog robber to the New Deal. He is the Scout who goes ahead, prowling the unexplored bushes of public opinion. He is the Whipping Boy who takes the blame whenever anything goes wrong. He is the Janitor who sweeps up the floor (usually using some victim as the broom). He is the Public Executioner, the Court Poisoner and the Bouncer...
...this understanding has not led me to nihilism. I see my work as part of a greater movement to reclaim law and politics for the people. We took on despots in the eighteenth century and robber barons in the nineteenth. Now in the twentieth and into the twenty-first, we are called to rebel against another great, illegitimate concentration of power--the corporation...
...wanted poster issued last week by the Harvard University Police Department (HUPD) for the suspected robber of Matthews Hall has been discredited and disgraced by a fabricated redesign. The altered version of the poster includes a caricature of a black male in place of the original police sketch and mocks the criminal's alias as "Afro-American...
Dispassion vs. passion, intellect vs. instinct, the implosive vs. the explosive style--as writer-director Michael Mann develops the duel between this cop and this robber in Heat, his film becomes a compassionate contemplation of the two most basic ways of being male and workaholic in modern America. It also becomes a critique of pure reason. For Neil is placing impossible demands on himself, on his associates, on a chance universe in which they inhabit one of the chancier corners. He can't prevent himself from falling in love (with Amy Brenneman's innocent bookstore clerk). He can't prevent...
Neil McCauley (Robert de Niro) is an orderly and calculating bank robber. Vincent Hanna (Al Pacino) is a disorderly and incautious Los Angeles cop on McCauley's trail. "Dispassion vs. passion, intellect vs. instinct, the implosive vs. the explosive style. As writer-director Michael Mann develops the duel between this cop and this robber in 'Heat', his film becomes a compassionate contemplation of the two most basic ways of being male and workaholic in modern America," says TIME's Richard Schickel. With what may be the best armored-car robbery ever placed on film, Schickel notes Mann is seeking...