Word: robbings
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...Chinese actors, and many Chinese are enraged because their movie stars are playing sympathetic characters in a film about a country that was, let’s be honest, more than a bit naughty towards China in the early 20th century. Who wins out? The director—Rob Marshall, a white guy from Wisconsin. “Something’s rotten in the State of that Tent Over There…is that two gay cowboys making out?”—“Brokeback Mountain” needs no introduction. It?...
Bill Nye the Science Guy has inspired lots of middle schoolers to take apart their clock radios. It turns out the PBS host has also inspired a couple of TV executives to try an experiment. The CBS drama Numb3rs, which stars Rob Morrow as an FBI agent and David Krumholtz as his crime-fighting mathematician brother, was sparked by a lecture Nye gave 10 years ago on the subject of turning kids on to math and science. Now the show's creators, husband and wife Nick Falacci and Cheryl Heuton, have enlisted their hero to guest-star...
...searing glances what the novel took chapters to explain. The movie offers a little sympathy and backstory to the villainess Hatsumomo by giving her a scene with the lover whom geisha rules forbade her to have. And it gives Sayuri a fabulous dance scene that shows off director Rob Marshall's theater background...
...Yale in 1976 and 1999. PRINCETON 30, DARTMOUTH 0 HANOVER, N.H.—Jay McCareins returned a missed field goal 100 yards for a touchdown, Derek Javarone kicked three field goals and Princeton recorded its first shutout in six years in a 30-0 win Saturday over Dartmouth. Rob Toresco ran for 122 yards and one touchdown and caught six passes for the Tigers, who picked off four passes and recovered three fumbles. Princeton (7-3, 5-2) limited Dartmouth (2-8, 1-6) to six first downs and outgained the Big Green 316 yards to 89. Princeton took...
...Colombus is the auteur behind the “Home Alone” series.Columbus never devises a satisfactory way to translate the conventions of musical theatre into the cinematic idiom: “Rent” doesn’t embrace its show-tune cheesiness in the manner of Rob Marshall’s “Chicago,” nor does it opt for cinematic seriousness like Bille August’s “Les Miserables.” Either would have been preferable to Columbus’ middle-of-the-road approach: “Rent?...