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Word: robed (lookup in dictionary) (lookup stats)
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...Nothing says creepy like a Hitchcock movie, except perhaps the Hitchcock 100th-birthday edition of Clue or the commemorative Bates Motel shower curtain or robe. QVC's Hitchcock beanbag bear was scary in a whole other...

Author: /time Magazine | Title: They Would Be Speechless | 12/27/1999 | See Source »

...Machinal's flirtation with experimental theater achieves its completion in the last scene. The costuming is radical; both Parris and Agresta, executioners, are dressed in metallic-punk-dominatrix suits, and Gunn, the priest, wears a silver robe. The sense that all dialogue is a voice-over creates the impression that the actors are merely odd configurations of marionettes. In this scene, people have fully transformed into machines. Helen's appeals for mercy seem to be almost rays of light bouncing off the darkened stage, for she is the only lit figure. Suddenly, strobe lights destroy the darkness, and the execution...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

...Judge Amy Gray (Amy Brenneman), who's returned from New York City to Hartford, Conn., to live with her social-worker mother (Tyne Daly). Amy benefits from a strong cast and a slightly harder-nosed attitude than its treacly forebear, but if this judge doesn't stop wearing her robe like a security blanket soon, she's going to try our patience...

Author: /time Magazine | Title: Judging Amy | 10/4/1999 | See Source »

DIED. VICTOR MATURE, 86, handsome actor known for his barrel chest--and roles in epics like Samson and Delilah and The Robe; in San Diego County, Calif. "Mr. Beautiful" got his big break in 1940, after a brief appearance in The Housekeeper's Daughter generated 20,000 fan letters. But he didn't take himself too seriously. "I'm no actor," he told a country club that rejected him because of his profession. "And I have 70 movies to prove...

Author: /time Magazine | Title: Milestones Aug. 23, 1999 | 8/23/1999 | See Source »

...enjoy the spectacle of the concentrated, disciplined labor that went into building a tiny sarcophagus out of gold and rock crystal to house a brown bit of human tissue that may or may not have been part of St. Vitus, or a supposed rag off the "seamless robe" worn by Christ at his Crucifixion. Seven hundred years ago, of course, it was the relic itself that really counted, that was "precious" and "unique"; the roles of container and content have reversed...

Author: /time Magazine | Title: Art: From Assisi's Treasury | 5/3/1999 | See Source »

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