Word: roberto
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Dates: during 1970-1979
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Diary of a Country Priest, by Robert Bresson. Harvard-Epworth Church. 7, Feb. 24. $1. Paisan, by Roberto Rossellini. 7, Feb. 27. Free...
...Credits. When the army seized power in 1964, Brazil was nearly broke and veering toward chaos after years of left-wing leadership. Overreacting, the generals used fear and torture to crush political opposition and curtail civil liberties. To cool the dangerously overheated economy, Economic Planning Minister Roberto Campos introduced an unpopular but necessary austerity program. In 1967 the government started pushing economic growth, and the generals brought in as Finance Minister Antonio Delfim Netto, a brilliant, bullying Sao Paulo State finance secretary and former economics professor. Delfim has been given a free hand in running the economy...
...Sistine Chapel. Text by Roberto Salvini, Ettore Camesasca and C.L Ragghianti. Vol. 1, 307 pages; Vol. 11, unpaged. Abrams. $275. When Michelangelo reluctantly began painting the ceiling in 1508, he still thought of himself primarily as a sculptor. He worked for years, mostly standing on the 62ft. high scaffolding rather than lying on his back, as hoary legend has it, and was interrupted by cramps, colds and periodic skirmishes with his testy patron, Pope Julius 11. When he finished in 1512, he was justly famous as "the divine Michelangelo." Ever since, writers have gossiped about, art historians studied, painters stolen...
This month alone, she has already performed a trilogy of operatic queens at the New York City Opera that amply confirms her own regal gifts: Elizabeth I in Donizetti's Roberto Devereux (see cover), Shemakha in Rimsky-Korsakov's Le Coq d'Or and Cleopatra in Julius Caesar. Starting this week she and the New York City Opera will recreate all three during a three-week guest stand in Los Angeles (planned for next spring is a new production by Beverly and the company of another Donizetti queen, Maria Stuarda). Early next month, she will give two performances of Lucia...
...Roberto Devereux, Beverly's researches convinced her that at the time of the opera's action, Elizabeth I would have been a much older woman than is usually portrayed. Appearing at rehearsal one day made up as a 60-year-old, Beverly persuaded the company that she was right?including Director Capobianco. Onstage, that makeup lends a harsh poignance to the climactic moment when Elizabeth, her voice dry and pinched, sentences her recalcitrant lover Essex to death...