Word: roberto
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...their jobs because they hate their animals and hate the soil, Farmer-Author Louis Bromfield said in Kansas City. "A farmer to succeed needs to be part businessman, part specialist and part scientist." In Rome, Renzo Rossellini pooh-poohed reports printed by a Communist magazine that his brother, Director Roberto Rossellini, would renounce all his U.S. earnings from the picture Stromboli "for reasons of artistic dignity...
...Setti-mana Incom, hit the newsstands last week, Italians took one look at its cover and rushed to buy. Although Ingrid Bergman has permitted no photographs of herself and child, Incom's cover showed a joyful Ingrid cooing to her newborn babe in a hospital room, while Roberto Rossellini, the doctor, the nurse and even the Madonna (from a painting on the wall) seemed to beam with approval. Incom's teasing caption: "The Strange Story of This Photograph...
Inside, Incom told the story, which would not have sounded strange to readers of New York's old tabloid Evening Graphic.-The picture was a fake-or what Incom called a photomontage. Incom's editors had cut out the heads from an old photo of Ingrid and Roberto, and with some paste and an artist's deft strokes, superimposed them, with others, on a photograph posed against the background of a hospital room (see cut). For readers who might feel tricked, Incom ran the original photographs inside, along with a diagram showing how they were mated...
Stromboli (RKO Radio). Any film by Director Roberto Rossellini and Actress Ingrid Bergman would seem anti-climactic after their own stormy, thoroughly publicized private lives. As an anticlimax in moviemaking, this one can stand on its own feet. A bleak, draggy little picture, it fulfills neither RKO's prurient advertising claims, nor Rossellini's obviously artistic intentions...
...picture are excellent. The young boy, like a seed trying to push roots into barren soil seeks affection, companionship and even faith in his environment. But because Berlin is so desolate and its people reduced to such hopelessness, the boy finds no answer but death. Producer and director, Roberto Rossellini's photography captures perfectly the demolished physical atmosphere of war-term Berlin, while the plot progression skillfully works out the emotional sterility of most of the characters...