Word: robertos
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Dates: during 1980-1989
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Bullets flew from both sides of the white wall, turning the suburban street into a war zone. At 6:25, an officer picked up a megaphone and urged surrender. The message was directed at Colonel Roberto Diaz Herrera, Panama's former No. 2 military man and a vociferous critic of the country's de facto leader, General Manuel Antonio Noriega. Now Diaz Herrera taunted, "Tell Noriega to come and get me." An hour later police forced Diaz Herrera and a retinue of 45 guests, relatives and bodyguards from the house. All was quiet when, just a few blocks away, Noriega...
...There's going to be a lot of celebrating in Miami," predicted a jubilant Roberto Arguello. The president of the Nicaraguan American Bankers Association was exulting last week because the Reagan Administration had just modified its immigration policy to provide asylum for 200,000 Nicaraguan exiles, including 75,000 in South Florida...
...charges leveled against him by Colonel Roberto Diaz Herrera. There are problems in which each man is the creator of his own tribulations. We public figures are exposed to all kinds of slander. In this case, everyone knows that this former colleague suffers from mental disturbances that have been exploited by some. We all feel sorry...
Over the next 13 years as intelligence chief, Noriega acquired a host of enemies and earned the unaffectionate nickname "Pineapple Face," after his acne-scarred complexion. Not least on his enemies list is Colonel Roberto Diaz Herrera, 49, a Torrijos cousin whose own professional climb was blocked by Noriega's rapid promotion. Upon his forced retirement last month as second in command of the Defense Forces, Diaz summoned reporters to his home and charged Noriega with several crimes, including helping to arrange the 1981 plane crash in which Torrijos was killed. Last week Diaz deflected several summonses to appear...
...dance -- stoked demands for its suppression. As the American cinema grew from fairground fad to worldwide obsession, it seasoned its content for the broadest tastes: no nudity, no naughty words, no violence. And, until the case of The Miracle in 1952, no constitutional cloak. In that year, ruling on Roberto Rossellini's parable of a peasant woman (Anna Magnani) impregnated by a bearded stranger (Federico Fellini) whom she believes to be St. Joseph, the Supreme Court ruled that films were a form of expression deserving of the First Amendment shield...