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"Blue Monk," a tune originally done by Monk, is recreated on this album in fine style. This version of the song contains all the hard-driving, swinging beats that Monk intended it to, but Roberts gives "Blue Monk" a more modern style. He manages to capture that element of funky...

Author: By Melanie R. Williams, | Title: Just the Facts, Please | 2/17/1989 | See Source »

On the Ellington classic, "In A Mellow Tone," Roberts features the tantalizing tenor saxophone of Charles Rouse. This piece is another upbeat number, and Roberts skillfully uses the breaks that were characteristically Ellington to heighten the light and lively feeling of the piece.

Author: By Melanie R. Williams, | Title: Just the Facts, Please | 2/17/1989 | See Source »

Roberts and Rouse manage to complement each other well on this tune. Robert supplies just the right amount of light chord action when Rouse, who played with Monk in the 1960s, give his instrument his all. In addition, the bassist, Reginald Veal, also does a bang up job. Veal, who...

Author: By Melanie R. Williams, | Title: Just the Facts, Please | 2/17/1989 | See Source »

The quality of this LP is only magnified by the six other original tunes that Roberts has chosen to put on the album.

Author: By Melanie R. Williams, | Title: Just the Facts, Please | 2/17/1989 | See Source »

He clearly designed "The Arrival," which is the first cut on this album to showcase the vast talents of trumpeter Wynton Marsalis. The meat of the piece is an offbeat dialogue between the dulcet tones of Marsalis' muted trumpet and the strong chords of Roberts' piano. The mood in this...

Author: By Melanie R. Williams, | Title: Just the Facts, Please | 2/17/1989 | See Source »

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