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...second offering, The V.I.P., is a bourgeois drawing-room play, centered on J.G. Baldwin (Cliff Robertson), an important business type, and his executive secretary, Kate Worthington (Julia Newton). As they sit in the V.I.P. lounge waiting for Baldwin's flight to be announced, he begins to ask her about her past. Kate tells him how she no longer wishes to see her mother, being scornful of such "insidious apathy" with which her parent seems afflicted. The mother seems to have returned to Tennessee, whence she came. "Ah, I used to have a weakness for Southern belles," declares our hero...

Author: By Laura K. Jereski, | Title: Finale, Finally | 12/16/1981 | See Source »

Exposing concern for his son, sent to a military academy "to become a man"--why else?--amid his concern for the effectiveness of his payoffs, Robertson's Baldwin is, in character and enactment, as limited as only a Hollywood actor could imagine corporate America to be. Julie Newton, whose delivery of an endless stream of "Yes, sir's" would warm Patton's heart, has precisely the degree of emotionlessness one would require of a secretary. Unfortunately, one requires a bit more than that from an actress...

Author: By Laura K. Jereski, | Title: Finale, Finally | 12/16/1981 | See Source »

...formula, after two endless evenings, is clear: two dreary, realistic plays followed by a crowd-pleasing cartoon. One might feel sympathy if these were unknown, generally unproduced playwrights, but few of them are. (In the next program we'll see plays by David Mamet and actor Cliff Robertson.) This smacks of cowardice: the APS might have attracted a devoted following if it had produced good or at least ambitious plays by unknown playwrights rather than the poor scraps of the well-known. If artistic director Tom Bloom knows how bad two-thirds of these plays are but decided he needed...

Author: By David B. Edelstein, | Title: Cowardly Trilogy | 12/2/1981 | See Source »

Local politicians, ex-Football Star Roosevelt Grier, and Evangelists Rex Humbard and Pat Robertson attended. Barbara Mandrell sang the national anthem. There was a congratulatory letter from President Reagan. The festivities in Tulsa last week preceded not the kickoff of a football game but the opening of the City of Faith, the $150 million medical complex that Evangelist Oral Roberts claims he built on direct orders from...

Author: /time Magazine | Title: Medicine: When God Talks, Oral Listens | 11/16/1981 | See Source »

...that on the court he is a sharpshooter whose ability to penetrate, physical toughness and rebounding skill are suspect, and that he will make only an average pro. But suppose he could be a Hall of Famer, the next Oscar Robertson. Ainge signed a contract not to begin his Oscaring until after his obligations to Toronto were over, and he is morally and legally obliged to honor that contract...

Author: By Bruce Schoenfeld, | Title: A Change of Seasons | 9/17/1981 | See Source »

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