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Small wonder, then, that back in 1959 Jaime ("Robbie") Robertson, then a 16-year-old from Toronto, set off eagerly for points south, guitar in hand. "I was born to do it, man," Robertson recalls. "Born to pack my bag and be on my way down the Mississippi River. I was music-crazy, just a total music fanatic. I wanted to see all those places with those fantastic names. Chattanooga, Tenn.?wow! Shreveport, Lu-zee-ana ?wow! I just couldn't wait to drive down that road, you know. All that good music came from there?Robert Johnson...

Author: /time Magazine | Title: Music: Down to Old Dixie and Back | 1/12/1970 | See Source »

Undefeated Mark Faller (167) took Rayner's place at 177, and Bart Harvey filled in at 167, Faller edged Jeff Cove, 5-3, while Harvey emerged with a steady 5-1 victory over Monty Robertson...

Author: By Robert Decherd, | Title: Matmen Mobilize Manager To Deadlock M. I. T., 17-17 | 1/8/1970 | See Source »

...board is split by a rare public debate over whether, when and by how much to expand the money supply. Last week Vice Chairman James L. Robertson called for "tighter and more painful controls" to eradicate the nation's "inflation psychosis." Such tough talk reflects a serious worry that is still shared by the majority of the board's members. They fear that even the slightest move toward easier money or lower interest rates would be misinterpreted by businessmen as a signal to get set for another jolt of inflation. In the minority at present, Board Members Sherman...

Author: /time Magazine | Title: Business: THE RISING RISK OF RECESSION | 12/19/1969 | See Source »

...sense, the same criticism can be made of the lyrics. All of the cuts were written by Jaime Robertson, who was helped on a few songs by other members of the band. The country orientation of the Band's music becomes more explicit in their Lyrics, which have a Southern, agrarian tone. And here, though again there is a lack of original insight, I think Robinson's iteration was to build songs valid by contemporary standards using a traditional framework. And within the limits he has set for them, the lyrics are successful...

Author: By Jill Curtis, | Title: The Rock Freak The Band | 10/23/1969 | See Source »

Lyrically, the most satisfying cut on the album has the unlikely title of "Whispering Pines." Written by Richard Manuel and Robertson, it is a very sensitive treatment of the almost desperate sadness that disillusionment and loneliness produce...

Author: By Jill Curtis, | Title: The Rock Freak The Band | 10/23/1969 | See Source »

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