Word: robes
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Dates: during 1950-1959
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...person to whom he is willing to confess everything, then he loves that person, and his love will save him." As a serene Claverton goes off to die under a beech tree-faintly echoing Sophocles' Oedipus at Colonus-he wears his fate like a royal robe: "I feel at peace now. It is the peace that ensues upon contrition when contrition ensues upon knowledge of the truth...
...first time in his career he was five minutes late. Otherwise Rayner Goddard, 81, gave no sign that this day in court would be different from any other in his twelve years as Lord Chief Justice of England. With his crimson robe sweeping the ground, his luxuriant wig, as usual, just a trifle askew, he strode into the paneled courtroom one day last week, seated himself in his big leather chair, jotted a note or two with a tiny silver pencil, and after fumbling with his ever-precarious pince-nez motioned for the session to begin. He seemed oblivious...
...centuries. Groveling in the dust, the chiefs render homage to the nobles and then in turn take homage from the multitudes around. When all that is done, drums begin to roll, and a plump young man of 28 suddenly appears, dressed in a bright red cap and robe. To 1,700,000 Mossi, the young Moro Naba is the incarnation of the sun on earth, and he rules through a court more rigid in its ritual than that of Louis XIV, the Sun King. Each week, after the nobles have abased themselves before him, the Moro Naba heads...
...chain. A woman who wants to spend an entire day at the salon can spend up to $120 for a series of treatments that would make a siren out of a Westchester matron. First, she is told to change into a black leotard, given paper slippers and a white robe to wear. Her medical history is solemnly taken ("Any operations? How many children?"). After doing exercises in front of a mirror under direction of a Ph.D. from Vienna ($12), she hops into a 3O-minute bubble bath with froth 3 ft. high ($5). Her skin is then defuzzed of superfluous...
...pierced with grotesque thorns. The attendant figures sustain and even amplify the sense of total horror and shock. The figure of Mary Magdalene at the foot of the Cross is modeled on Griinewald's ideal of Nordic beauty, with wildly flowing silky blonde hair, sumptuous, rippling salmon-pink robe and veil. Griinewald has painted beauty moved to the ultimate of grief; Mary Magdalene's delicate features are a frozen mask of sorrow, her fingers writhe numbly, and even the sleeves of her elegant gown appear twisted and rigid...