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...Hair preceded it, as did the Who's "rock opera" Tommy -- but its impact was extraordinary. Lloyd Webber hated Director Tom O'Horgan's lurid, heavenzapoppin' staging, which featured a transvestite Herod, Judas in silver briefs and Christ emerging from a huge chalice clad in a $20,000 glittering robe. Christian as well as Jewish groups protested the show as offensive, but it ran for 720 performances before heading off to the West End and more than 20 other countries...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

...part of the firm's dollar holdings, then went back to sleep. At 4 a.m. the phone jangled again. This time it was a London colleague calling to report that the dollar's rally was gaining momentum. Holland, abandoning any hope of getting back to sleep, put on a robe and padded into his den, where his computer terminal graphically displayed the dollar's takeoff. "Holy smoke, something is happening!" the trader exclaimed before jumping into his clothes and hailing a cab for Wall Street. "They apparently mean business...

Author: /time Magazine | Title: Teaming Up to Rescue the Dollar | 1/18/1988 | See Source »

...winner will be presented with a razor blade and several cartons of Nair to remove the bristles from his legs before he dons his short robe again...

Author: By Casey J. Lartigue, | Title: Cagers Meet the Holy and the Hellish | 12/15/1987 | See Source »

Back in the cottage, while Dan makes tea downstairs, Beth prepares her bath. With her robe she erases steam from the bathroom mirror. Alex is standing behind her, carrying a knife. Softly, she asks Beth, "What are you doing here?" In her frayed mind she may already be Mrs. Dan Gallagher, her hubby in the kitchen, their imminent child asleep in her womb. Who is this presumptuous intruder in Alex's dream cottage? Someone who doesn't deserve to play happy family. Someone who deserves to die. Their struggle for the knife finally alerts Dan, who rushes upstairs, overpowers Alex...

Author: /time Magazine | Title: Cinema: Killer! Fatal Attraction strikes gold as a parable of sexual guilt | 11/16/1987 | See Source »

...rehearsal room is a maze of noisy motion: a woman is screaming at her stage husband, "I'm sick of your drinking -- get out of the house!"; a small unshaven man cowers childlike as his "mother" delivers an obscene tongue- lashing; a man in a red-check robe staggers drunkenly as his belt whips with violent slaps against a board, while his "son" whimpers in pain; a young man sits huddled on the floor, repeating over and over, "Why doesn't anyone love me?" The air quivers with tension as the parts of the play come together and roles...

Author: /time Magazine | Title: In Massachusetts: Theater Therapy | 11/9/1987 | See Source »

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