Word: robeson
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Dates: during 2000-2009
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...casting director looking for a voice whose very timbre communicates authority, dignity, power, you might even go to Queen Latifah before you resort to Jeremy Irons. The reasons aren't hard to speculate about. The roots of this development go back at least to the 1930s and Paul Robeson's singing "Ol' Man River" in Showboat. The therapeutic notion that suffering confers dignity and authority has spread just as the suffering of African Americans over generations has become universally acknowledged. Above all, black American ministers have replaced British politicians, at least in perception, as the world's most eloquent public...
...other non-white American stars - Paul Robeson, Josephine Baker, Nina Mae McKinney, Anna May Wong - had left their homeland with its crushing racial roadblocks, to find work and acclaim on the continent. But they were in the middle of their careers, and never matched their European eclat back home. Eartha was just starting hers. And in postwar America, the movies, Broadway and cabaret were more welcoming to black performers, especially ones with a touch of aristocratic or sexual exotica: Sidney Poitier, Dorothy Dandridge, Harry Belafonte, and Eartha - not Keith - Kitt...
...abduction, enslavement, social and sexual abuse by the whites in power - and of the determination first to outlive the ignominy branded on the race, then to overcome it. In her commanding presence, charismatic delivery and determination to sing black truth to white power, Odetta was the female Paul Robeson. (See the 100 best albums of all time...
...black man who told Obama that a true friendship with his white grandfather wasn't possible. The man's name was Frank Marshall Davis, and in the 1930s, '40s and early '50s he was a well-known poet, journalist and civil rights and labor activist. Like his friend Paul Robeson and others, Davis perceived the Soviet Union as a "staunch foe of racism" (as he later put it in his memoirs), and at one point he joined the Communist Party. "I worked with all kinds of groups," Davis explained. "My sole criterion was this: Are you with...
...included the Gulf War epic “Three Kings,” and South Central L.A. comedy “Friday,” and has fulfilled the promise of his once-youthful outrage. But does every black actor have to be a Sidney Poitier or a Paul Robeson? Does every black filmmaker have to be a Spike Lee?Perhaps the most telling sign of Hollywood’s evolving relationship with race is that black actors, even rappers like Ice Cube, are breaking out of the “black film” category more frequently. Freed from...