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...Cotton Blossom. Heavy-eyed, heavy-mouthed Helen Morgan is the hapless Julie, dashing in the satin flounces of an 1885 showgirl, who is forced to leave Cap'n Andy's troupe when it turns out she is a mulatto illegally married to a white man. Paul Robeson appears as the honest, lazy handyman who does little but sing 01' Man River while the camera travels from his calm black face to toiling Negroes, and finally to the broad, rippling Mississippi - in this case the Los Angeles River, widened to 100 ft. by three steam shovels...

Author: /time Magazine | Title: Cinema: The New Pictures: May 18, 1936 | 5/18/1936 | See Source »

...abandoned, is Irene Dunne who, in black face and kinky wig, sings Gallivantin' Aroun'. Allan Jones, despite a good voice, makes Magnolia's Gaylord Ravenal into a handsome nonentity. Familiar to many a Show Boater will be Hattie McDaniel, an amiable and enormous Negro who helps Robeson with a rollicking song called Ah Still Suits...

Author: /time Magazine | Title: Cinema: The New Pictures: May 18, 1936 | 5/18/1936 | See Source »

...huts, war canoes and burning-stake for prisoners, aroused so much excitement that the Illustrated London News devoted a whole page to reproducing it. To act in the story, derived from Edgar Wallace. Director Korda hired a high-grade black & white cast. Leslie Banks plays District Commissioner Sanders. Paul Robeson is Bosambo, a reformed convict who becomes chief of a small tribe. Nina Mae McKinney (Hallelujah) is his wife. The part of King Mofolaba, a scapegrace chief whose misdemeanors account for most of the action, is ably played by a 77-year-old Negro hair-tonic specialist named Toto Wane...

Author: /time Magazine | Title: Cinema: Sanders of the River | 7/8/1935 | See Source »

...their story. Sanders of the River, consequently, is full of native war dances, canoe-paddling, realistic spear-shaking and drum-beating which, no doubt interesting in a travelog, have no place in this narrative. It is distinguished by Michael Spolianski's curious but usually effective musical score, by Paul Robeson's vocalizations of lyrics which sound alarmingly like U.S. college football songs, and by Negro acting which is no less genuine because most of the performers have marked English accents...

Author: /time Magazine | Title: Cinema: Sanders of the River | 7/8/1935 | See Source »

With a reputation in the Negro theatre equal to those of Paul Robeson, the late Charles Gilpin and Jules Bledsoe, Actor Harrison plans to open a dramatic school if and when The Green Pastures closes. "The Lord," humbly says "de Lawd," "has showered His mercies...

Author: /time Magazine | Title: The Theatre: Heaven on Earth | 3/4/1935 | See Source »

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