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...Robe. The first CinemaScope film, a colorful, breathtakingly big production starring Richard Burton, Victor Mature, Jean Simmons (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Dec. 14, 1953 | 12/14/1953 | See Source »

...Robe. The first CinemaScope film, a breathtakingly big production based on Lloyd C. Douglas' 1942 bestseller; starring Richard Burton, Victor Mature and Jean Simmons (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Dec. 7, 1953 | 12/7/1953 | See Source »

...Robe" is more spectacular than most Biblical stories due to cinemascope and more tasteful because of the under-done performances of the cast. Victor Mature is the one noticeable exception, at the Roxy...

Author: NO WRITER ATTRIBUTED | Title: Motion Pictures About Town | 12/4/1953 | See Source »

...Robe. The first CinemaScope film, a colorful, breathtakingly big production based on Lloyd C. Douglas' 1942 bestseller; starring Richard Burton, Victor Mature and Jean Simmons (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 30, 1953 | 11/30/1953 | See Source »

Besides exploiting the self-evident truths of its heroines, How to Marry stirs occasional interest with its new photographic technique. Unlike The Robe, in which historical setting limited use of the wide-lens camera, How To Marry puts CinemaScope to work in everyday surroundings. Freed from painted sets, the medium projects a new illusion of space by concentrating on familiar scenes like the George Washington Bridge and the New York skyline. Had the film concentrated as much on script lines as on skylines and necklines, How To Marry a Millionaire would have been a more profitable gold hunt...

Author: By Harry S. Kane, | Title: How to Marry a Millionaire | 11/23/1953 | See Source »

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