Word: robing
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Richard Marius (the Director of the Expository Writing Program at Harvard) paints a different picture of More than we're used to. The More in keeping with Hans Holbien's 1527 drawing of the man. Holbien's sketch shows a prosperous Tudor gentleman in a fur-trimmed robe, surrounded by his family and signs of his wealthy. Above More's head hangs a clock dangling ominously. Marius fleshes out the ambiguities and tensions in More's Character at which Holbien hints...
...Even today, 17 years after his death doors that once were closed and locked are still being opened because of the legacy of Dr. King," Jackson, clad in the minister's traditional long black robe, added...
...these the Cleavers or the Bunkers, this family of four preparing for an ordinary Thanksgiving in 1973? There's Dad (Carroll O'Connor), screwing himself into his easy chair, deflecting harsh words and harder responsibilities. Mom (Frances Sternhagen) is patrolling the house in her robe and bunny snood, calling "Wakey uppy! Wakey uppy!" in the tinny cascades of Texas motherhood. Sis (Linda Cook) is chatting on the phone with her boyfriend and threatening to "devote my entire life to crisis counseling for the holiday-impaired. My mother can be the poster child." And young Jeremy (Christopher Fields), just back from...
...drawing of Thomas More dating from 1527, just eight years before Henry VIII had him beheaded for refusing to recognize the King's right to divorce Catherine of Aragon and marry Anne Boleyn. Hans Holbein's sketch shows a prosperous Londoner in a fur-trimmed robe, surrounded by his family and his possessions-silver dishes in the cupboard, and a shelf or two of those rare luxuries, books. Mounted on the wall, dangling above More's head like a sword, hangs a clock...
...that we have to go to India? His face still unchanged, but his body now wrapped in a robe, you can imagine Murray deadpanning. "I went to the East in search of meaning, and all I got was this robe." In return for watching Murray stare catatonically into space at various spots on the introspection circuit, we can feel only like we've intruded on some sort of home movie: lots of pretty pictures, clear evidence the trip indeed took place, our host conspicuously juxtaposed against exotic environments...