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Entering his coronation palace-actually, a sports arena disguised with flowers and rich draperies-Emperor Bokassa looked cool and calm. He wore a white robe set off with two striped sashes in the C.A.E.'s national colors (blue, white, green, yellow and red) and a wreath of golden laurel on his balding head. Ascending his throne-shaped in the form of a giant eagle, with a 13.6-ft. wingspan, 800 gilded feathers and a seat carved out of the bird's belly-Bokassa donned a flowing ermine and velvet cape with a 39-ft. train. The Emperor then...

Author: /time Magazine | Title: CENTRAL AFRICA: Mounting a Golden Throne | 12/19/1977 | See Source »

...year-old firm of Guiselin, which embroidered Napoleon's uniforms, did up 13 outfits for Bokassa, including the 32-lb. coronation robe with its 785,000 pearls, 1,220,000 crystal beads and train. Total cost...

Author: /time Magazine | Title: CENTRAL AFRICA: Mounting a Golden Throne | 12/19/1977 | See Source »

Stop the World remains offensive to this day, in its use of sexual and national stereotypes and in its heavy-handed symbolism. (The "Figure of Death," dressed in a long black robe, drops in every now and then to disrupt the circus-like goings on.) It is a hard show to like for its own sake. But the current Mather House production succeeds in making Stop the World both enjoyable and ultimately moving, in spite of itself...

Author: NO WRITER ATTRIBUTED | Title: Worth Staying On For... | 11/9/1977 | See Source »

...Maura Moynihan's protrayal of Eliza is rich enough to do justice to Shaw's famous study of the poor flower girl. From the first moment when she pleads with passers-by in a beguiling drawl, Moynihan gives a superlative performance. Whether clothed in rags or in a silk robe, she mixes the pride and shame of a woman who knows she is a truer lady than those who only appear to be. She is a yielding Eliza, melting over a bowl of soap "smelling like primroses" but she is also a Liza quick to assert her own worth...

Author: By Diane Sherlock, | Title: In Her Own Image | 11/3/1977 | See Source »

...clear what he wants us to think about the effects of this couple's alienation on their children. Still, all the inferences are depressing. In one sequence, the mother and daughter frolic around in the family's living room at noon-time--the elder wearing nothing but an untied robe and the younger in underwear--while the son plays with his lunch in the kitchen and holds his head in boredom. In other scenes, the mother off-handedly discusses menstruation with her young daughter and the couple invites the children into their bedroom and mechanically explain the function of their...

Author: By Mark T. Whitaker, | Title: From 'Breathless' to Aimless. | 9/30/1977 | See Source »

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