Word: robinsons
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Dates: during 1980-1989
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...Another uncle, who worked in the Reds' clubhouse, had outfitted Rose for several sweet years of sideline catches. But when Rose came back at 22 to dislodge second baseman Don Blasingame, he was shunned by Blasingame's buddies. Familiar with cold shoulders, the black players took him in. Frank Robinson remembers, "Nobody had to show Pete how to hit, but they wouldn't even show him how to be a major leaguer...
...says Casey Silver, president of worldwide production for the MCA Motion Picture Group. "He can carry a gun or a woman in his arms. He can be tough or add a sweet comedic touch." The surprise is that an actor so versatile can be so focused. Ask Phil Alden Robinson, the writer-director of Field of Dreams. "You can't force him to do something that's false," says Robinson. "He marches to his own Walkman." Or maybe to his own Victrola. For Costner is both a harbinger of the postimperial American male and a throwback to heroes of Hollywood...
Costner defers credit for the film's success to Robinson: "He's the star of Field of Dreams." But there are moments the star is proud to claim. "When Ray is throwing to Shoeless Joe, he gets so excited that he glances back to the house to see if his wife is looking. When Ray is walking toward his dad, picking at his hand, and, realizing that his dad is doing the same thing, he quickly puts his hands down. And his run to the mound isn't a completely athletic run. It's a little funny. There's some...
...Jake LaMotta was featured in every pretty piece on the passing of Sugar Ray Robinson, he might have been taken for an elder statesman of boxing, a figure of charm and standing. As a matter of fact, when Robinson made a Spanish omelet out of LaMotta in 1951, the New York Herald Tribune called it "the first believable knockout of ((Jake's)) life." LaMotta swears he never took a dive except the one against Blackjack Billy Fox, and that was so long...
...AHEAD IN ADVERTISING. While plotting a sales campaign for a new pimple cream, a British ad exec develops a bizarre ailment: a boil on the neck that has a mouth of its own and talks back with a vengeance. With black humor and a weird, Kafkaesque sensibility, director Bruce Robinson delivers a biting satire of Thatcherite society...