Word: robinsons
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Dates: during 1990-1999
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Each weekend, students can see everything from orchestras to a capella groups. Some of the nation's best-known musical talents hail from Harvard: Yo Yo Ma '76, Leonard Bernstein '39, Robinson Professor of Music Robert D. Levin '68 and more recently, jazz musician Joshua Redman '91 and cellist Matt Haimovitz...
...urge more faculty members to break out of their cocoons in William James, Littauer, Robinson, Jefferson, Boylston and Warren House. Without the involved participation of many informed faculty members, the Faculty Council will become even more of a rubber stamp for the decisions of a sometimes misguided administration...
...turned into a floating secondary school. He's the sort of father figure these chinless wonders have never had--stern but caring, and at one with the winds and the waves. Also, he seems to have the ability to tell them apart, a matter on which Todd Robinson's script--not to mention the casting director--is not very helpful. Sheldon's promise is that after a year of crewing with him, all the nonsense will be knocked out of them...
...Alley Cats" is quite possibly theater at its worst. Robinson seems to have lost all the restraint, subtlety of message and clarity of vision which makes "Live Bird" a satisfying drama. The cast of "Alley Cats" is unspeakably poor, except for Robinson himself and drummer Dwight Hart. The whole mess is like a childish scribble obscuring the quality of Robinson's music. One can only hope that Robinson either returns to the more focused, steady approach of "Live Bird" or abandons drama altogether in favor of his music. If "Alley Cats" is any indication, Robinson's career may mimic that...
...their lines. The boys are good actors, especially Getty as the angry rough-and-tumble greaser. Scott Wolf does an excellent Tom Cruise imitation. And Jeff Bridges is a perfect father figure. Too perfect. The script sinks any hopes the characters had of being deep or moving. Todd Robinson, the screen writer, is living proof anyone can get a job in Hollywood. The script is trite ("Oh, the power of the wind!") and too ambitious ("Today I finally understand Homer: the journey's the thing...