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...Among the Asian movies that competed: Mamoru Oshii's Japanese anim? Ghost in the Shell 2: Innocence. Voluptuous futuristic graphics complement an astronomical robot body count. The film was produced by the same company that provided the gorgeously gruesome anim? sequence in Tarantino's Kill Bill...

Author: /time Magazine | Title: At Cannes, Asia's star shines | 5/31/2004 | See Source »

...warm evocation of, the loves of a man?s life. The man (Leung, playing the same character he did in Wong?s 2000 Cannes prize-winner ?In the Mood for Love?) has a mysterious woman in his past (Gong Li), a flirtatious woman in his present (Zhang) and a robot woman in his future (Faye Wong). There?s no excuse for ignoring this beautifully made, deeply felt movie. We can only surmise that this Jury was in the mood for politics, not love...

Author: /time Magazine | Title: Palms Up for Michael Moore, Thumbs Down for Bush | 5/24/2004 | See Source »

Sometimes a robotic performance is a good thing. Like when you're one of the droids playing opposite WILL SMITH in this summer's I, Robot, a futuristic thriller based on Isaac Asimov's stories. Unlike his "recluse technophobe" character, Smith is an avowed technophile. "I need the latest updates, state-of-the-art everything," he says. In the film, his detective, Del Spooner, has reason to be wary--he's pursuing a robot suspected in a homicide. Some of the robots are portrayed by actors whose expressions are then digitally replicated on the faces of computer-created characters...

Author: /time Magazine | Title: R2-D2, With Feeling | 5/24/2004 | See Source »

...animation is still a classic of gee-whiz atomic-age modernism. Most of all, it's touching to look back at the show's optimistic imagined future, in which there's a flying saucer in every garage and even inept button-pusher George Jetson can afford a robot maid and a Food-a-Rac-a-Cycle without worrying about his job getting outsourced to Pluto. --By James Poniewozik

Author: /time Magazine | Title: Technology: Meet George Jetson--Again | 5/17/2004 | See Source »

Putting on their metaphorical robot masks for a moment to channel that other French electronic duo, Daft Punk, Air turned “Sexy Boy” and “Kelly Watch the Stars” into pure synth euphoria, gleefully eradicating all remaining humanity in their music to thrilling effect...

Author: By Nathaniel A. Smith, CRIMSON STAFF WRITER | Title: Air Ooze Sex Appeal at Avalon | 4/16/2004 | See Source »

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