Word: rochlin
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Both concentrate on people, though in quite different respects. Martha Rochlin paints the man himself and delves his character and his relation with others. Drew DeShong seems more interested in a strange and mystical atmosphere that diminishes man's character within its vastness and complexity...
...away the most exciting work in the exhibit is that of Martha Rochlin '62, whose painting of two figures (shown in Bertram) won first prize in the oils division. Working somewhat in the manner of Cezanne, with a bit of Freud mixed in, Miss Rochlin relies heavily on large splashes of somber coloring and bold brush strokes for her forceful effect...
With my apologies to the judges, I must say that I preferred Miss Rochlin's blue-toned nude (in Briggs) to the winning canvas. It is here that she achieves her greatest compositional balance and subtlety of color. The nude reclines, her head and right elbow tossed back, and strenuous shading carries the consequent tension most effectively throughout the body...
...others in this show approach Miss Rochlin's spontaneity. Deborah Ellis' pen sketch of a paunchy man (first prize in the graphics division) is pleasant and even humorous but occasionally rather unsure of anatomical detail. Among other drawings worth noting is a nude, "I' Arlesienne," by Adrianne Aldrich '62. Miss Aldrich, who knows her Toulouse-Lautrec almost overly well, does a fine job of capturing the feline quality of her subject...
...Aaron 2L., M. I. Behrens '25, J. H. Cohen '25, Misha Epstein Sp., B. F. Finman 2E.S., S. L. Foss 1L., Foss 1L., David Glick 1L., M. F. Goldberg '22, T. H. Green 3L., Paul Harmel '23, A. W. Marget 3G., Bernard Miller '25, Mendon Morril '23, Samuel Rochlin '24, Irwin Rosenbaum 1L., J. L. Rudofsky '24, J. S. Shubow 1M., Benjamin Siegel 2L., S. L. Solomon '22, Harry Starr 1L., M. L. Stolz 2L., and the Misses Dorothy Adlow, Lillian Lappin, and Anna Weintraub, of Radcliffe...