Word: rock
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...understand just how great, listen to the pair's fifth album, Welcome to Mali, out March 24. Following up on their 2005 breakthrough, Dimanche ŕ Bamako, which was produced by France-raised Spaniard Manu Chao and topped critics' lists worldwide, Amadou and Mariam recruited another international rock star, Brit Damon Albarn, for a cameo. What Albarn brings is an opener, "Sabali," so light and giddy that no translation is required to get that Mariam is whisper-singing about love. The swirling keyboards and gradually rising dance beat are pure '80s pop, sweeter than cheap champagne--but with soul...
...filled guitar album with impressive range. Amadou grew up as the biggest Led Zeppelin and Deep Purple fan in Bamako, and while he knows how to mimic the sounds of a kora and slip into high-stepping township jive, he's most at home using African styles to flavor rock melodies. "Ce N'Est Pas Bon" is stomping garage rock, while "Bozos" could be a particularly happy Neil Young song. Everything has a familiar pop structure, but there's just enough African instrumentation to provide a thrilling sense of dislocation...
...Sega!” At once, the immense sound of the Video Game Orchestra filled the intimate venue with the “Sonic the Hedgehog” theme. The VGO—comprised of a 45-piece classical orchestra, 40-piece choir, and 5-piece rock band—brings together students from Berklee College of Music, Boston University, Boston Conservatory, and New England Conservatory, and it’s just one example of the video game industry’s ability to serve as a forum of creative exploration and interaction for artists. Despite the recent economic downturn...
...then, does Althouse defend her groundless claim? The day after her blog post, Althouse crafted this egg-headed explanation of how comparisons of Jindal to country boy Kenneth Parcell of NBC’s 30 Rock were racial: “Instinctively repainting [Jindal] white is—I would say—presumptively racial. To strip away his racial identity—to stereotype him as an especially white white man—is a powerful racial move...
Turns out Kelly Clarkson is forever bound to pop after all. After her alt-rock detour on 2007’s “My December,” she returns to her crowd-pleasing ways, belting out the type of pop anthems she’s best known for. “All I Ever Wanted,” Clarkson’s fourth release, showcases her vocal strengths better than ever. Good pop comebacks are not a dime-a-dozen, but in spite of some minor setbacks, the singer manages to come out with yet another success. Reclaiming...