Word: rocke
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Dates: during 1980-1989
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BORIS GREBENSHIKOV: RADIO SILENCE (Columbia). The title is a self-fulfilling prophecy. Grebenshikov, a dubious product of glasnost, sounds like David Bowie on Bosco as he thrashes his way -- in English -- through twelve pompous rock anthems as dense as the Iron Curtain but not quite so penetrable...
NIGHT MUSIC (NBC, Mondays, 12:15 a.m. EDT). Assemble a handful of the best jazz, R.-and-B. and rock artists, and turn them loose in a weekly, hour-long musical showcase that has smooth-talking alto saxman David Sanborn as host. Result: the best damn music show on television. Look for Eric Clapton, Robert Cray and Taj Mahal to perform this season...
Same old story. A unique gift, a fresh voice, a knack for psychic immolation. When Rickie Lee Jones broke onto the scene with her surprising and successful 1979 debut album, she seemed to signal a fresh trail for rock. But uncertainty and self-destruction crowded close. An equivocal second album was followed by an enterprising third and diminishing commercial returns. Confusion enveloped her, and Jones seemed to lunge toward the flash point. Then she pulled back, in a two-step away from the brink, consolidating and reconsidering her work. With personal turmoil put in perspective, Jones produced a new life...
...Jones writes about it and sings it. In Flying Cowboys, her first album since 1984's The Magazine, she sets down a kind of mystical confessional, full of allusive autobiography and reflective nonchalance. It has the breadth of an important book and the emotional impact of great rock 'n' roll...
...fine first track, The Horses. But just as quickly, the changes will be obvious. The jazz inflections and beat intonations are still intact, but all the mannerisms have been pared away. Jones isn't hiding behind artifice anymore. Her lyrics may be enigmatic, her music an eccentric mixture of rock, electrified hipster jazz and reggae, but she makes it all flow by the sheer force of her feeling...