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Word: rocke (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Rock...

Author: NO WRITER ATTRIBUTED | Title: WHAT IS TO BE DONE? | 4/30/1987 | See Source »

Still, most of the songs are colored by the country twang of Davis' guitar and voice and the punk insistence of the rhythm. Like William Faulkner, Dash Rip Rock seems ambivalent about its southern roots, but that ambivalence makes its art richer. Plus, Dash Rip Rock must be a killer live band, but until it comes to the Northeast to play--and thereby to incite riots--Dash Rip Rock will suffice as a substitute...

Author: By Gary L. Susman, | Title: VINYL | 4/30/1987 | See Source »

...synthesized textures, spawned an outrageous number of disciples in the American and British underground. Bands as diverse as Sonic Youth, 100 Flowers, Sorry, and R.E.M. all pay homage at the Wire altar. Brilliant albums such as The Pink Flag, Chairs Missing and 154, the holy trinity of progressive rock, forever ensured Wire's place at the pinnacle of modern music...

Author: By Joseph D. Penachio, | Title: Wire We Listening? | 4/30/1987 | See Source »

...into various factions and solo projects. In late 1986, the band resurfaced, with all four original members, releasing the "Snakedrill" 12-inch. It appeared that, after a lengthy lay-over, the band was ready to pick up where they left off, with a heady mixture of keyboard-based art rock, submerged in swirling guitars and avant-garde postures. And the road to reunion was sweetened by the band members' floundering solo careers and a guaranteed record deal. The generation of admirers that the band weaned would surely come out in force with their re-emergence...

Author: By Joseph D. Penachio, | Title: Wire We Listening? | 4/30/1987 | See Source »

...Lewis and Gilbert's "He Said" releases. Guitars are buried low in the mix, if present at all, while sequencers and keyboards define the song structures. "The Point of Collapse" is built around a synthesizer riff of which Depeche Mode would be proud, while "Ahead" mines the dance-rock territory of New order. The menacing "Feed Me" follows the style of latter-day quasi-industrialists SWANS without achieving the genuine horror of the latter's aural experiments. All the above-mentioned bands have each achieved their own niche in modern music. In comparison, Wire's avant-garde...

Author: By Joseph D. Penachio, | Title: Wire We Listening? | 4/30/1987 | See Source »

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