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Word: rocke (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...hooks. "I Will Persuade You" and "Part The Seas" will stick in your mind, no matter how hard you try to forget them. Other songs, such as "Long Hot Summer," creep into your consciousness after repeated listenings. So approach 12 Days to Paris with caution, then, because its Ugly Rock will infect you and set your Huxton Creeper side free...

Author: By Gary L. Susman, | Title: Corporate And Ugly Rock | 3/12/1987 | See Source »

...everything from Australia is as cute as koala bears or Mel Gibson. With their debut album, 12 Days to Paris, Melbourne's grungy-looking and grungy-sounding Huxton Creepers offer proof, by reviving that wonderful 60s genre of Ugly Rock...

Author: By Gary L. Susman, | Title: Corporate And Ugly Rock | 3/12/1987 | See Source »

...original purveyors of Ugly Rock, a combination of squealing guitars, intentional feedback, and strange vocal harmonies, were such now-famous British and Irish ugly rockers as Them, the Kinks, and the Yardbirds. Like fellow Aussies the Hoodoo Gurus, the Huxtons (why isn't their nickname "The Creepers"?) more or less follow this British model, though with some American-style modifications like vocal harmonies and guitars of the chiming, trebly sort associated with such bands as the Byrds...

Author: By Gary L. Susman, | Title: Corporate And Ugly Rock | 3/12/1987 | See Source »

...thrust behind the Suns seems to be an investigation of how little structure a song can have and still be a song, Big Dipper insert their bursts of oddity within relatively normal frameworks. All the songs on Dipper's debut EP, Boo-Boo, are vaguely recognizable forms of straight rock and roll, country or pop balladry. "Faith Healer," for example is a conventional rock tune made interesting by a contorted and bizarre riff, seemingly some sort of comment on the TV preacher of the title...

Author: By Jeff Chase, | Title: Nessie, I Love You | 3/12/1987 | See Source »

Punctuation, too, becomes a crucial consideration: instead of calling for mommy, the new-age child must learn to cry for his (M)other. And don't forget con-junctions. The intertextual Grammer Rock must now instruct children in the mysterious 'either/or and simultaneously neither/nor.' Never fear that traditional values need fall by the wayside: discipline is still important, as every mother who has ever washed out her child's mouth with soap for saying "dualism" or "positivism" in the house can tell...

Author: NO WRITER ATTRIBUTED | Title: SO WHAT | 3/12/1987 | See Source »

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