Word: rocke
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Dates: during 1980-1989
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...Bill Haley's Rock Around the Clock throbbed through The Blackboard Jungle, rock-'n'-roll hit movies with the force of a party doll at a quilting bee. Each form cheerfully exploited the other; neither was ever quite the same. By the '60s, movies were an indispensable tool for marketing any hot new group. Richard Lester's A Hard Day's Night pinned the larkish wit of four Liverpudlians on top of the world; Bob Rafelson's Head (co-written with Jack Nicholson) was a brilliant, bilious suicide note from the Monkees to their die-hard fans. Today rock helps...
...collection of adventurous theater directors, dancers, composers and rock musicians that has been bubbling south of Houston Street since the 1960s has wedded high art to pop culture. Composer Philip Glass has brought the pulsating idiom of rock into the sacred precincts of the opera house, while Theater Artist Robert Wilson's slow-motion dreamscapes have influenced not only a neophyte filmmaker like Byrne but an experienced theater director like Andrei Serban. Performance art, an offbeat amalgam of music, theater, narration and stand-up comedy, has caught flight on the puckish wings of Laurie Anderson. Choreographers such as Twyla Tharp...
...considered experimental are now becoming commonplace. Knockoffs of Glass's trademark repeating chords and arpeggios pop up in television commercials, movie scores and the New Age sounds of Windham Hill. Tharp's sinuous, explosive movements have been danced by Mikhail Baryshnikov. Free-form surrealism is the mainstay of the rock videos on MTV, and their most innovative directors, like Russell Mulcahy, have graduated to feature films. Probably not in the past half-century have the works of the avant-garde achieved such wide currency among mainstream audiences...
...very rules of the game have changed, thanks to technology. The postwar transistor and video generations have grown up accepting the electronic media as legitimate sources of art. The late Pianist Glenn Gould was considered odd when he abandoned the concert hall for the recording studio, but to the rock generation there is little or no difference between stereo loudspeakers and a live performance. The first group of performing artists who have fully integrated technology into their acts have encountered listeners eager to celebrate their message...
...amasses hundreds of video monitors in assemblages. When Byrne, driving along the Texas highways in his red 1985 Chrysler Le Baron convertible in True Stories, turns to the camera and exclaims, "Radio reception is great here!" his excitement is real. Anyone born after 1950 understands the synergy between rock 'n' roll, a radio and the open road...