Word: rocke
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Dates: during 1990-1999
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Broaddrick's accusations are sordid. On a business trip to Little Rock, she and Clinton planned to meet in a hotel coffee shop to talk. To avoid reporters, he suggested they talk in her room. After a brief conversation, she claims, he pulled her onto the bed and forced her to have sex, biting her upper lip and causing it to bruise and swell. Clinton then told her not to worry because, as a result of childhood mumps, he was sterile. The last thing Clinton said as he put on his sunglasses and walked out, according to Broaddrick, was that...
...that most stretches have to be held for at least 30 sec. to provide lasting benefits. "The stretch that you're doing today is not going to be of any great benefit today," says William Evans, an exercise expert at the University of Arkansas for Medical Sciences in Little Rock. "But it will help you tomorrow and the day after...
Time for the "Song Styles" round on Whose Line Is It Anyway?, in which a panelist must invent a song about a member of the studio audience. Tonight's subject is named (just try rhyming this!) Niroshi; and the tune must be a rock love ballad. Yet panelist Brad Sherwood hardly breaks a sweat as he quick-composes a plaintively catchy melody and croons lyrics made up on the spot. He'll take his beloved Niroshi to "the Rive Gau-shi," where they'll "cook some brio-shi," and across "the Pacific O-shi" to "put on some suntan...
...quiz show Says You! panelists are asked to distinguish between rock and stone. Columnist Carolyn Faye Fox says, "There are no rocks named Mick Jagger." Hard Copy's Barry Nolan quickly adds, "There are no stones older than him." The World's Tony Kahn asks, "Would you like to pass a gallrock?" The correct answer: a stone is a rock that has been treated or processed. Or as Kahn quips, "A stone is a chip off the old rock...
...songs on this new album come at you like an intervention: there is venting, there are surges of emotion, but, all said, the goings-on have a determined focus. Here the rock trio displays new command over its material: there are a few songs that are more about velocity than impact, but singer-guitarists Corin Tucker and Carrie Brownstein play off each other well both instrumentally and vocally. Several of the songs feature deft countermelodies with secondary vocal themes threading around the central one. In fact, this cerebral album itself is a striking countermelody to the junk that now passes...