Word: rockingly
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Dates: during 1960-1969
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...Rock performances, immediate and blaring, are the heart of the medium. The Beatles and Dylan succeed in spite of (and not because of) the fact that we will never get to hear them in the stark pulsating flesh. The power of the new music is precisely that it is sometimes able to transform a particular event into a permanent influence--one to blunt the hard edges that each of us carefully cultivates...
...Such was the force of R & B, in fact, that white singers of the 1950s quickly saw the potential for lifting it out of the limited Negro market and filtering it into the far more lucrative pop field. Much, if not most of what the white public knew as rock 'n' roll during this period consisted of proxy performances of Negro R & B music by people like Elvis Presley and Bill Haley. The success of the white performers produced a caustic resentment among the Negro musicians, many of whom still bridle at the irony of it all ?they produced...
...this began to change with such English rock 'n' roll groups as the Beatles, the Rolling Stones and the Animals, who made a point of crediting their sources?not only R & B figures such as Chuck Berry and Bo Diddley, but also country and urban bluesmen such as John Lee Hooker, Muddy Waters, T-Bone Walker and B. B. King. "Until the Beatles exposed the origins," says Waters, "the white kids didn't know anything about the music. But now they've learned that it was in their backyard all the time...
Jubilation Shouts. Meanwhile, the rhythm-&-blues strain was picking up new momentum, while post-Beatle rock charged off on its own creative path. The man who gave R & B its fresh thrust was a blind, Georgia-born bard named Ray Charles, one of the most hauntingly effective and versatile Negro singers in the history of pop music...
...rejoicing, the sinners moaning, the tambourines racing, and all those voices coming together and crying holy unto the Lord. I have never seen anything to equal the fire and excitement that sometimes, without warning, fill a church, causing the church, as Leadbelly and so many others have testified, to "rock." Nothing that has happened to me since equals the power and the glory that I sometimes felt when . . . the church and I were one. Their pain and their joy were mine, and mine were theirs . . . and their cries of "Amen!" and "Hallelujah!" and "Yes, Lord!," "Praise His name!," "Preach...