Word: rockingly
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Dates: during 1960-1969
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...that critical point, Armstrong, a 39-year-old civilian with 23 years of experience at flying everything from Ford tri-motors to experimental X-15 rocket planes, took decisive action. The automatic landing system was taking Eagle down into a football-field-size crater littered with rocks and boulders, Armstrong explained: "It required a manual takeover on the P-66 [a semiautomatic computer program] and flying manually over the rock field to find a reasonably good area." The crisis emphasized the value of manned flight. Had Eagle continued on its computer-guided course, it might well have crashed into...
...busily read through check lists and punched out computer instructions, making all Eagle systems ready for a quick takeoff if it should become necessary Aldrin took time to describe the landing site: "It looks like a collection of just about every variety of shapes, Angularities, granularities, every variety of rock you could find...
...signal that he could not interpret. The slower velocity indicated to Lovell that the Russians were trying to economize on fuel, perhaps saving it for a landing and subsequent blast-off from the lunar surface. This, he suggested, "supports the theory that Luna 15 may attempt to recover lunar rock...
After Luna 15 reached the vicinity of the moon, it went into an 83-by 179-mi. orbit. On that basis, Lovell predicted that the Russians would attempt "to land the whole spacecraft, or part of it, and collect some rock." Most Western scientists, however, doubted that such a feat could be brought off successfully on the first try. They know that the Soviets have not yet even tested a rocket large enough to launch a Luna with enough fuel to land on the moon and take off again. They also believe that Russian space techniques are still not sophisticated...
Schifrin epitomizes the outlook of a new school of conservatory, or college-trained, Hollywood composers. Among others: Leonard Rosenman, 44 (Fantastic Voyage); Dave Grusin, 35 (Winning); Jerry Goldsmith, 40 (Planet of the Apes); Quincy Jones, 36 (In the Heat of the Night). They use jazz, pop and rock as freely as the latest serial and electronic techniques. Like Henry Mancini, who started the trend toward mod sound in the late '50s, they know when to support the plot if the characters are of secondary importance, and vice versa. Schifrin has a deft jazz touch that only Mancini and Jones...