Word: rockingly
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Dates: during 1960-1969
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...people who are being revolted against do not take the revolutionaries seriously. So they took us seriously when we were only dealing with symbols. They sent Dartmouth students to jail for 30 days, and they fired on young people in Berkeley with shotguns filled with buckshot and birdshot and rock salt, and they killed one man--a white man. Black men died in colleges before, at Orangeburg last year and before and since. But then they killed a white man, which was turning against their own. The game is over now. While it lasted, it was our own, what...
Radical romanticism is what you read about in those oddly-numbered CRIMSON radicalism articles on Wednesdays. It seems, at present, to have something to do with rock music, mysticism, the carpe diem motif, and the notion that "things aren't caused, they just happen--then we react or categorize." It has a lot to do with self-expression. That's why the best and most creative people can afford to be romantics. But perhaps there are times when none of us can afford to be romantics...
BLUEGRASS AND COUNTRY-WESTERN music have long been like gin on the rocks--either you're born with a taste for it, or you get nauseous every time it comes near you. For the majority of people, who fall into the latter group, it has looked like a long dry rock season. With Dylan and The Band leading the industry to Nashville, and groups like The Pentangle and The Incredible String Band spawning a return to acoustical instruments, one had a hard time repressing visions of The Grand Old Opry on WMEX...
...here, electric harpsichord, dobro, drums and harmonica, put the whole album in a different cast. Willie Dixon called the music of the Chicago Blues All-Stars "Modernated blues," and the term "modernated" fits this record well, It jumps from Lester Flatt's "Git It On, Brother" to the almost-rock of "Out On The Side," maintaining a uniformity of tone which reflects its dual parentage. And it ends up in a very new, and good place...
Parody has a point only if those who are doing the parody are fully capable of doing whatever it is they parody and then if they only make slight changes, which are meaningful rather than merely absurd. Following this logic, almost all parodies of, say, fifties rock'n'roll are just stupid. Bad singing and bad sound simply doesn't parody something that's musically better. The Lampoon's earlier record, "The Harvard Lampoon Tabernacle Choir Sings at Leningrad Stadium," was a drag; the Mothers of Invention records are great. "The Surprising Sheep and Other Mind Excursions" is very good...