Word: rockingly
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Dates: during 1990-1999
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Listening to Rainbow, Mariah Carey's seventh album, it's clear that the best reason to rock this New Year's will be to celebrate the end of the Mariah decade. Her record sales throughout the '90s have grown to rival those of Elvis and the Beatles, and to many ears the Mariah sound has grown indistinguishable from the endless cosmetics aisles and multiplexes of our postmodern world. But there's no pot of gold at the end of Rainbow. The album strips that sound down to its purest form, cleverly obfuscating Mariah's predictably smarmy lyrics with sonorous mumblings...
Probably the power rock band of the '70s, Led Zeppelin--singer/majority songwriter Jimmy Page, guitarist Robert Plant, bassist John Paul Jones and drummer John Bonham--has partially influenced almost all of modern rock. Now, in recognition of their 30th anniversary, founder Jimmy Page has seen fit to assemble a compilation of their "greatest moments." The first segment, entitled Early Days, features songs from Zep's first four albums and some multimedia frills...
...tracks, including the laid-back "When the Levee Breaks." Rest assured, there are songs such as "Black Dog" that feature Page's trademark banshee wail, not to mention Plant's scorching guitar riffs, all of which became synonymous with the band's earlier studio sessions. The visceral thrills in "Rock and Roll" and "Communication Breakdown" hurtle with the subtlety of a rhinoceros on amphetamines, impelled by Bonham's frenetic percussion...
...Genesis, coincidentally another group of rockers celebrating their 30th anniversary, features the eclectic musicians (mainly featuring Phil Collins, Tony Banks and Mike Rutherford) from the '70s, '80s and '90s, but where Led Zeppelin could be considered power rock, Genesis is best categorized as power pop. On Turn it On Again, the band appears in all its past glory, selecting its best outings from nine studio albums spanning 25 years...
...Beck" is a magic word. Beck, beck bananna-nanna pho pheck; Beck. The Pied Piper of post-grunge white boys everywhere, Beck Hansen leads us away from the dying city of Rock playing a tune of satire and pastiche. On Midnite Vultures, he eviscerates hip-hop, R&B and even Kraftwerk of their souls, piling the resultant carrion into a tower of intoxicating formal juxtaposition, and finally infuses these styles with his own pink-pants voice. Who would need anything more...