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...course, Collier isn't philosophically opposed to the idea of foreign aid. But his proposed solution to its inefficacy doesn't include celebrity rock concerts or NGO sloganeering - an approach he broadly derides as "the headless heart." Perhaps most controversially, he argues for military intervention in civil conflicts, citing as an example the British army's decisive 2001 rout of Sierra Leone's vicious Revolutionary United Front, which was infamous for recruiting child soldiers and wantonly butchering civilians. These aggressive steps aren't just a moral imperative; they also make economic sense, since, Collier estimates, a failed state costs...

Author: /time Magazine | Title: Now for the Bad News | 9/13/2007 | See Source »

...sale of a private bank in 2004, and he heads an investor group that is putting up roughly $15 million for You and I. He also acts in the movie, playing a rogue named Ivan. Desyatnikov has appeared in several Russian-language movies. He also fronts a rock band, owns a few dairy-products factories, and hosts an outdoor nightclub that features drag racing. "This is my first international experience," he says, running a hand over his shaven head. "I guess I'll never come back to Russian movies. For me, as an investor, it's not interesting...

Author: /time Magazine | Title: The Reel Russia | 9/13/2007 | See Source »

...dusk one evening, after shooting has finished for the day, the crew and producers gather for drinks against the red-brick colossus of an abandoned beer factory. A white-haired musician in a Hawaiian shirt plays classic rock. "There is going to be a lot of competition here in the future," Nemeth says. "New money typically wants glory. And there's plenty of new money here. With all due respect to this great city and this great culture, the reason to make movies here - it's the money." Just then, one of the Russian grips goes over the edge...

Author: /time Magazine | Title: The Reel Russia | 9/13/2007 | See Source »

...them watching it? It all comes back to a show-business credo that festivals often forget: please the customers. "We try to align our programs with our audiences," Cowan says. "They want films with crazy bloody stuff going on and people flying on high wires and some great rock 'n' roll, all filtered through the director's artistic vision and the programmer's curatorial mind. We give them that...

Author: /time Magazine | Title: The Freaks Come Out at Night | 9/12/2007 | See Source »

With the AKP's decisive election win, the Turkish military is reluctant to simply roll the tanks out into the streets. It needs a rock-solid pretext. Iraq, and its failed democracy, very well could...

Author: /time Magazine | Title: Undermining Democracy in the Middle East | 9/12/2007 | See Source »

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