Word: rockingly
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...101” is a bitter, deeply uncomfortable track chronicling an empty relationship in typically adjective-laden fashion. It hints at the vivid humor that characterized earlier songs—“I think we need more post-coital and less post-rock / Feels like the build up takes forever, but you never get me off”—yet by the end Gareth still finds himself wallowing in a “sense of waste / The indignity, the embarrassment...
These three consecutive numbers form the beating heart of the band’s new musical philosophy. “Romance is Boring” is a work of literate, deeply emotional rock which treads a careful line between the band’s two primary influences: the raw, noisy, unpredictability of Xiu Xiu and their ilk, and the listenability of early 90s indie...
...Monroe formed the Blue Grass Boys in 1939, and was later joined by banjoist Earl Scruggs and singer/guitarist Lester Flatt. Bluegrass, whose instrumentation includes guitar, banjo, mandolin, double bass, and fiddle, emerged as a kind of commercially disseminated folk music a decade later. It then began to permeate early rock music in unexpected ways: the offbeat mandolin chop characteristic of bluegrass music, for example, eventually evolved into the snare-drum offbeat in rock and roll...
...comes as a shock that on his newest album, “Rebirth,” Wayne leaves rap music behind altogether in favor of an as-yet uncharted genre: rock. In this latest effort, Wayne abandons rap’s sampled beats for a bass, drum set, and electric guitar. Power ballads of unrequited love replace tales of street violence and self-promotion, and the dissing and calling out of other rappers is tossed out in favor of punk-inspired castigation of society and nameless enemies. This bold step, however admirable it might be in theory, comes nowhere near...
...truth, Wayne’s rap-to-rock and rock-to-rap translations lose significantly more than they gain. The crucial elements of the artist’s past success have been pop grooves that were radio-ready, like “Lollipop”, and aggressive, brash songs you could still bounce your head to and enjoy, such as his first major hit, “Go DJ.” The sort of fun and confidence that were needed to produce these big hits runs contrary to the seriousness of the major theme of “Rebirth?...