Word: rocks
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Dates: during 1980-1989
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...Rose of England," a somber and folky piece delivered without any of the irony that characterized Lowe's early work. With his cuffed jeans, loafers, and Everly-Brothers-inspired vocals, Lowe took the crowd on a pleasant ride back to the future, to the innocence and simplicity of '50s rock and roll...
...problem seems to be that Costello wishes to be regarded as the voice of a generation in the way that Sinatra is, but he can't resist making a silly joke out of the whole process. As the beginning of his concert proved, Costello does not need the usual rock and roll trickery to be effective. He comes across most powerfully as a serious singer-songwriter with an arresting voice and a seemingly bottomless well of creative ideas. As his fans, we should demand that our voice come without all the Vegas bullshit...
Elvis and the Beatles passed him by, and so did hard rock, soft rock, punk, heavy metal and all their noisy alloys. That makes Michael Feinstein, 30, either the oldest young singer of the '80s or the youngest old singer. Or perhaps both. What does he like? Just sit back and listen to the first number on his enchanting album, Live at the Algonquin (Parnassus Records): "Wanna sing a show tune,/ Good old Broadway show tune,/ Nothing that has no tune,/ Something that has heart./ Something you can hum, or can strum by the hour...
Lowe warmed up the crowd with a 45 minute set of his best known tunes including "Cruel to be Kind," and "I knew the Bride When She Used to Rock and Roll," which he played as an encore to the audience's standing ovation...
...suffice. With The Ideal Copy, the band has produced a void to fill a void, which will disappoint old and new fans alike. If you want to discover the truth behind Wire, the reasons behind their influence, check Pink Flag or Chairs Missing. If ultra-cool-progressive-art-dance-rock is your thing, pick up the latest New Order or SWANS 12-inch. But avoid The Ideal Copy. It's progressive rock with dentures...