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...Nirvana: "Smells like Teen Spirit," 1991 "It's the Song that Broke Punk, the very incantation about self-despising entertainment that turned a dead-end Aberdeen kid into a supernova, the very last rock song everyone could rally around. (Check out the video of its first public performance on the With the Lights Out DVD; as soon as the drums kick in, the whole room learns how to levitate.) But the closer you listen, the more it sounds like straight pop. That four-power-chord sequence that never ever changes? It's got the rhythm from Boston's "More Than...

Author: /time Magazine | Title: The Pitchfork 500 | 11/26/2008 | See Source »

...album - one disc for Big Boi to make lush, solid hip-hop, and another for Andre 3000 to follow his muse into scattershot, genre-mixing pop experiments. Big Boi may have steered clearer of potential embarrassment, but it was Andre's "Hey Ya" that sold both halves. Pop fans, rock fans, rap fans, children, Mennonites, high-school principals, the elderly, terrorists - everybody loved this song. Animals loved it. Silverware loved it. You could play it in a forest with nobody to hear it and have complete faith that the very trees would throw up their branches...

Author: /time Magazine | Title: The Pitchfork 500 | 11/26/2008 | See Source »

Directed by Wolfgang Doerner, the production is self-assuredly modern - not by strident atonalism, but rather through the fertile mixing of jazz, opera, rock and electronica, punctuated by moving, ethereal intermezzos by onstage jazz instrumentalists improvising over the Ensemble Orchestral de Paris. While Le Monde had little appetite for this musical "soup", the Journal de Dimanche was eager for more. "In the breach between rock-pop and opera, [Nieve] invented something new," said the paper's critic. "Despite its faults, this innovation, far superior to all the musical comedies in the works, deserves to be saluted...

Author: /time Magazine | Title: A Night at the Opera with Sting and Elvis | 11/25/2008 | See Source »

...including a good handful of wayward notes. But while commissioner Costello stormed around stage brazenly belting his lines, and Sting swooned in the arms of Schwartz's delicious diva during their final stirring - and harmonious - duet, they were clearly reveling in this escape from the confines of the pop-rock genre. "For me it's always good to put yourself outside your comfort zone," says Sting. "As an artist, it's vital to have that kind of experience to grow, otherwise you're trapped in a box. Being in the box is never really interesting - I like to step outside...

Author: /time Magazine | Title: A Night at the Opera with Sting and Elvis | 11/25/2008 | See Source »

...less graceful moments as a seasoned runner, Erin K. Sprague ’05 stumbled up a kilometer-long glacier with a 17 percent incline. The mud-laden, rock-strewn, and icy terrain of Antarctica was most unforgiving...

Author: By Esther I. Yi, CRIMSON STAFF WRITER | Title: Long Distance Runner Covers the Globe | 11/25/2008 | See Source »

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