Word: rocks
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...certain high brattishness. Adolescent baby boomers were by turns passionate and sullen, angry at the world in general and grownups in particular, certain, above all, that they were uncompromised, pure. In the mid-'70s, as prosperity finally ebbed and a generalized post-Vietnam enervation set in, much of rock turned merely slick. But along came a fresh cohort of bratty youngsters convinced of their own exceptional purity, and so a dozen years after the rock-'n'-roll youthquake, punk music appeared -- crude, youthful, exuberant, sullenly anarchic, objectionable to grownups. In the late '80s, as go-go prosperity ebbed and post...
Pearl Jam is now on probation, forced to prove that success hasn't spoiled it. The group and its record label have responded by promoting the new album very little and even holding off on making rock videos for the time being. Some critics of the band claim its members have handled their fame poorly. "I've heard Eddie Vedder complain about MTV, as if he had been bound and gagged to make the video for Jeremy and forced to sign a record contract with a major label," gripes Alternative Nation's veejay, who goes by the name of Kennedy...
...lost father, dreaming that he is uniquely himself but still somehow an amalgam of his father and his past. "I'll hold the pain/ Release me." It's a healthy attitude in a music genre ruled by high school passions. If he keeps it, the dropout who became a rock star may be ready for the head of the class...
...become a significant bit more like Britain: the sense of tapped-out, no-hope job anxiety that has settled over this country helps postpunk bands like Nirvana and Pearl Jam sell millions of records. And with megapopularity comes the rub for another cycle of suddenly-rich-and-famous rock performers: What is a boy to do when his splenetic-loser shtik wins him magazine covers and huge record contracts? How to deal with the heartbreak of success? By growing up. It happens. According to John Lennon's friend and producer Phil Spector, the edgy Beatle regularly joked about losing...
...Toscanini get?'' Tastes changed after World War II. The big bands became dinosaurs. Somewhat petulantly, Goodman decried bop and other forms of modern jazz, even though he had blazed the way with his trio, quartet and sextet for such groups as the Modern Jazz Quartet. Later he would denigrate rock, even though, in his ability to inspire mass mania, he had been a prototypical rock star. He always seemed uneasy at being pigeonholed, and made a point of emphasizing his classical bona fides. He performed and recorded Mozart's Quintet for Clarinet and Strings with the Budapest String Quartet...