Word: rocks
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...Gavin can’t be reduced to the wishy-washy presence behind the theme song for teen drama One Tree Hill. He can rock out. Blanket characterizations of his songs as merely mellow, acoustic melodies do a disservice to DeGraw’s talents—he can bring the noise and energy as well as any performer gracing the spring concert circuit of American colleges. Look out, Girl Talk...
...band member Brad Corrigan perform at the Cambridge Queen’s Head Pub next Thursday. Brad Corrigan will be playing with his band Braddigan, which he formed in 2003 after Dispatch disbanded. Braddigan members, who are performing for Harvard Concert Committee’s (HCC) “Rock for a Reason,” are set to take the stage at 9pm on Thursday, April 24. The night’s repertoire will feature both Braddigan songs and Dispatch favorites. In addition to performing, the band members will talk to students about their experiences in the music industry...
...search of one-word solutions. As integral as the ethics of electronica may be for Gonzales, who records as M83, many of the artist’s finest moments draw heavily on the warped guitar-pressure of early British shoegaze or the Zen-like drone of ambient post-rock. The truth of this notion holds firm on M83’s fifth album, the dreamlike “Saturdays=Youth,” whose simultaneously sunny and spacey atmospheres buoy the album to stunning highs.Throughout the album, Gonzales hints at some sort of dramatic theme underlying all the layers...
...cliché,” Mariachi Veritas president Beatrice Viramontes ’08 says. “Whether looking at us as a cultural or a musical group, not many groups have so much diversity.” Many Mariachi Veritas members are also classical, jazz, and rock musicians who are involved in other musical groups on campus such as BachSoc and Kuumba. Only a few of the current group members had previous mariachi experience when they joined Mariachi Veritas. In fact, despite being a Mexican band, there are only three Mexican-American members in the group...
...watching the first three episodes of any comedy you consider worthwhile. Chances are, they’re not unlike “Jezebel James”: pretty terrible, but with inklings of promise. Even great comedies like “Seinfeld,” “30 Rock,” and “The Office” weren’t too quick out of the gate. Networks don’t seem to get this: they’re more than happy to immediately cast off some shows and keep others long after they?...