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...indie pop band can be seen from the album’s very beginning. “In the Mirror” opens the album with heavy synth overlays which compete with a clear melody and upbeat harmonies. The song’s defining musical conflict—between rock and indie pop—is exemplary of a trend that pervades the album. Fittingly, and perhaps with a twist of irony, the song whines, “I wish I could change and make new rules / And love myself better...

Author: By Caroline J. Burke, CONTRIBUTING WRITER | Title: Field Music | 2/17/2010 | See Source »

...album’s 15th track, is defined by heavy guitar riffs, haunting vocals, and synthesized bells. It marks a stark departure from the upbeat but restrained music that defined Field Music’s earlier career, while standing out from the rest of the album with its rock-oriented directness...

Author: By Caroline J. Burke, CONTRIBUTING WRITER | Title: Field Music | 2/17/2010 | See Source »

Emerging from under the rock that he calls "spring leave," Sandel discussed moral dilemmas similar to those presented in his course Moral Reasoning 22: "Justice." Urging people to engage their moral convictions in evaluating policy, Sandel instructed those in attendance "to rediscover the lost art of democratic argument." Sandel proposed a return to substantive moral discussions concerning policy issues...

Author: By George T. Fournier, CONTRIBUTING WRITER | Title: Harvard Thinks Big (West Coast Edition) | 2/16/2010 | See Source »

With its 2006 self-titled debut, Beach House instantly established one of the more recognizable sounds in indie rock, equal parts breathy and slightly bruised, with Nico-like vocals from singer Victoria Legrand and atmospheric instrumentals by bandmate Alex Scally. Each song was wrapped in a thick, dark haze, all lazy drum-machine beats, ghostly organs and retro synth lines. If you were ever to hear one in a movie, it would be as background music to a mysterious woman dancing in the twilight. By album No. 2, Devotion, that sound was so rigidly set that it seemed...

Author: /time Magazine | Title: Taste of Spring | 2/15/2010 | See Source »

...effect a radical stylistic shift. (I know there are hard-core defenders of U2's electro-experiment album Pop out there somewhere ... but they're wrong.) No, the key is change and more of the same. So while Legrand's voice, easily one of the most beguiling ones in rock today, has until now been weighed down by the band's reverb-heavy atmosphere, Teen Dream simply lightens the load. The results, as on "Lover of Mine," are vocals that soar with joy while breaking your heart...

Author: /time Magazine | Title: Taste of Spring | 2/15/2010 | See Source »

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