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...Unfortunately, the rest of the album falls predictably into two commercial mainstays: the ostentatiously scored, teen-baiting love ballad ("Iron Butterfly") and overtly energetic vocals underpinned with tacky electro beats ("Rock Your Body"). Both sorts are competently produced here, and disappointment sets in not at their presentation but at the potential wasted. Alisa has the talent to gun for critical approval. But she is being steered instead toward commercial safety...

Author: /time Magazine | Title: The Asian Rihanna? | 9/28/2009 | See Source »

...Lowell's credit it does have some quality exercise facilities outside the gym proper which were not included in this assessment. They have a rock climbing room, a basketball hoop in a squash court, and a handful of usable squash courts...

Author: By Eric P. Newcomer | Title: Get Your Swell On: House Gyms Part 1 | 9/26/2009 | See Source »

...even after several years of live collaboration and half a year’s worth of hype, their self-titled debut lacks coherence and originality.“Monsters of Folk” oscillates between Oberst’s tired country tropes and James’ burnt-out classic rock riffs. The numbers that feature M. Ward’s vocals provide consistently solid songwriting, offering several truly fantastic tracks on an album that, on the whole, feels slap-dash, poorly executed, and only mildly enjoyable.On tracks like “Say Please” and “Losin?...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Monsters of Folk | 9/25/2009 | See Source »

...start of 2009, Pearl Jam were without a record deal and seemingly without a meaningful future. As the only major survivor of Seattle grunge and 90s mainstream rock to resist implosion, the band, still based in Seattle after all these years, appeared anachronistic, past-it, irrelevant. Beginning with 1996’s “No Code,” and most noticeably with 2000’s “Binaural” and 2003’s “Riot Act,” Pearl Jam produced minor, experimental records, collections of songs in different genres rather...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Pearl Jam | 9/25/2009 | See Source »

Though recent indie rock groups have relied heavily on the choral sound of multi-track vocals—Fleet Foxes, Grizzly Bear, and Sufjan Stevens to name a few—none of them have done it quite as impressively as Bon Iver in “For Emma, Forever Ago,” the 2007 debut album written, performed, and produced by Wisconsinite Justin Vernon. Part of the success of the album was the stark and at-times haunting instrumentation that supported his hymnal voicing. In Vernon’s newest project, an entirely new musical setting from...

Author: By Matt E. Sachs, CRIMSON STAFF WRITER | Title: Volcano Choir | 9/25/2009 | See Source »

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