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...skillful rococo colorist named Joseph Blackburn arrived from England. He immediately became an established painter in Boston and his work had a profound influence on Copley's portraiture. Blackburn's colors were light and gentle but the elegance of Blackburn's style drew out of Copley the sensitivity as a colorist which characterizes all of his later work. Though Blackburn had a great influence on Copley, Copley's individuality as a painter was never obscured; the characteristic sharp contrasts of light and dark (chiarascuro effects), the bold, saturated colors, and the free, heavy impasto (paint thickness) persist throughout most...

Author: By Jonathan D. Fineberg, | Title: Copley Exhibit Depicts Colorist's Long Career | 2/12/1966 | See Source »

...Mock Turtle, Father William and the Queen of Hearts are all there, but the Mad Hatter, the Dormouse, the Cheshire Cat and the Ugly Duchess are still swimming undiscovered in Dodgson's inkwell. The earlier Alice, however, is much more than half as interesting; though it lacks the rococo richness of the final version, it has a primitive charm and artless appeal that make it, on the whole, rather the better of the two as a bedtime story...

Author: /time Magazine | Title: Books: To Please A Child I Love | 10/8/1965 | See Source »

...legs, John Barrymore's profile, Shirley Temple's seven-year-old scrawl ("Love to the World") and his ex-Wife Ava Gardner's feet, Singer Frank Sinatra, 49, knelt, did the old Hollywood salaam and planted his palms in the wet concrete beside the rococo Grauman's Chinese Theater. Then Frank struck a Jolsonesque pose for Daughters Nancy and Tina and about 3,000 faithful who turned up for the messy rites, some of them dangling from the limbs of trees...

Author: /time Magazine | Title: People: Jul. 30, 1965 | 7/30/1965 | See Source »

Most Wagnerian productions are mounted either in Cecil B. DeMille rococo or, in recent years, Bayreuth Freudian. Last week, for a change, Munich's National Theater opened a new Tristan und Isolde that dispensed almost entirely with theatrical effects, set the most important scenes in near-darkness. Explained Director Rudolf Hartmann: "I wanted this to be a Tristan in which the main interpretation was left to the music." His concern, which would have delighted Richard Wagner, suited the occasion: the 100th anniversary of Tristan's première-also in Munich...

Author: /time Magazine | Title: Opera: Richard und Ludwig | 6/18/1965 | See Source »

...classical revival. The digs at lava-overlaid Herculaneum in Italy were uncovering arts of antiquity that the world was seeing for the first time. Architect Robert Adam was recapturing the glories of Greece and Rome in his neoclassic columns and pediments. Wedgwood, too, plunked for the neoclassic against rococo excesses, writing in 1769: "Elegant simplicity-I shall more than ever make that idea a leading principle." He glazed red figures similar to Etruscan pots onto the matte surfaces of his ironlike black basalt ware. Then he invented what is Wedgwood's most famous ceramic, jasper ware, whose white classical...

Author: /time Magazine | Title: Ceramics: Britain's Royal Potter | 5/21/1965 | See Source »

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