Word: rod
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...necessary direction, compensates by latching onto one emotion that he is confident he can do well. Silvia Anglin (Felicity) clings to her range, Corliss Blount (Snow) to her bitterness. Felipe Noguera turns in a good performance as Archibald, staring at members of the audience with a fierce, chilling concentration. Rod Clark renders a marvelously subtle Diouf; his mask segments are precise and perfect. Michael Russell (Village) deals well with the most difficult part in the play; his character is almost totally reliant on feedback from others and the quality of his performance varies predictably depending on whom he is speaking...
...chief reason for this is Rod Steiger, who gives an interpretation rather than an impression of the man who may be the most mimicked comedian of the century. Steiger's makeup is expert; his approximation of Fields' voice and of his unique rhythms, both physical and vocal, is both funny and thoughtful. Steiger obviously wants to resemble Fields enough to be believable, yet avoid making a nightclub turn out of his work...
...dunno. At a rock concert. In our band! Hey, you're Rodney, aren't you? Sure! You're the one with the yellow shirt from this afternoon. I remember your name from Peyton Place. You remember. "Is it up, Rod? Is it up real good? Then go stick it up Allison MacKenzie...
...Rumanian stopped complaining about linesmen long enough to trounce Ken Rosewall 6-0, 6-2, 6-2 at the Avis Challenge Cup competition in Hawaii-a $10,000 victory that made him the fourth professional to win more than $1 million on the tennis tour (the others: Arthur Ashe, Rod Lover and Rose-wall). "I never count how much I make, only how much I spend," commented Nastase, who keeps a fancy flat and a Lancia and a Bentley in Brussels. Do his Communist countrymen ever fret over his capitalistic success? Says he: "Everyone is jealous if you have...
...Yourself veteran, infuses a rich pathos into two laments about the hollowness of show business life, "What's Next" and "Watch the Birdie." "A Few Years," one of Barclay's most majestic numbers, begins as a take-off on blind American optimism; through the sincerity of Rod Skinner's rendition, however, it becomes a moving affirmation of the need to go on believing in America's future, despite the scars of "bigotry, of pride...